Alireza Farhang
Franco-Iranian composer born in 1976 in Kerman.
Alireza Farhang was born to a family of musicians in Kerman, Iran, in 1976. He took his first music lessons from his father, studied piano with Emmanuel Melikaslanian and Raphaël Minaskanian, and attended the University of Tehran, where he studied composition with Alireza Machayeki. Upon completing his studies, he taught at the University of Tehran and founded his own music school.
In 2002, he decided to pursue his studies with Michel Merlet at the École normale de musique de Paris. With an Albert Roussel fellowship, he received advanced degrees in composition and orchestration. He also studied composition with Ivan Fedele at the Conservatoire de Strasbourg. In addition, he studied with such composers as Toshio Hosokawa, Michael Jarrell, Hanspeter Kyburz, Brice Pauset, Yan Maresz, Tristan Murail, Olga Neuwirth, and Gérard Pesson. He participated in Cursus (the IRCAM’s composition and computer music course) as part of the ECMCT (European Course for Musical Composition and Technologies), in partnership with the Berlin Technische Universität, Universität der Künst, and Hochschule für Musik Hanns Eisler.
He wrote a musicology thesis at the Université de Paris IV-Sorbonne, under the direction of Marc Battier, on “the codetermination of timbre and melody among Iranian composers.” His dual training in Western and Persian music shows in his compositions, which are a blend of the two worlds. Currently, he is a doctoral student in composition at the Université de Côte d’Azur and the Université d’Anvers, and is pursuing his research on the notation of gesture in transdisciplinary art at the Centre national de création musicale (CIRM), co-directed by François Paris, Jean-François Trubert, and Kurt Vanhoutte.
Farhang is co-founder of the Association of Iranian Composers of Contemporary Music, and his work has been played in many countries by ensembles such as Ensemble Alternance, Kronos Quartet, Court-circuit, the HANATSU Miroir ensemble, Contrechamps, Divertimento Ensemble, the Arditti String Quartet, the Orchestre National de Lorraine, the Nivak ensemble, the Nieuw Ensemble, K/D/M, the Mora Vocis vocal ensemble, E-Mex Ensemble, Ensemble Radial, Neuver Band, the Matka Ensemble, the Vertixe Sonora Ensemble, and the New Generation Quartet.
© Ircam-Centre Pompidou, 2018
Sources
Alireza Farhang
- Solo (excluding voice)
- Agrandissement I, II for piano (2004), 12 mn
- Au-delà du néant for flute (2004), 6 mn
- L'hiver et le parfum du printemps for piano four hands (2004), 6 mn
- elec ircam Ircam cursus Tanîn for alto flute and real-time electronics (2008, 2010), 6 mn, BabelScores [program note]
- Seihoun for flute (2010), 11 mn [program note]
- Āzar for violin (2014), 9 mn, Impronta [program note]
- La légende de Māh for flute (2015), 6 mn
- elec Zāmyād for cello and live electronics (2015), 9 mn 30 s [program note]
- A capella for cello (2017), 12 mn
- Elikā for cello (2017), 9 mn, Impronta [program note]
- La Chouette aveugle I for piano (2014-2018), 7 mn [program note]
- elec La Chouette aveugle II for piano and live electronics (2014-2018), 10 mn [program note]
- La Chouette aveugle III for piano (2014-2018), 8 mn [program note]
- elec Poésie sans mot mixed piece for vibraphone and electronic choir (2019), 9 mn 30 s
- Chamber music
- Au-delà du temps for string quartet (2005), 11 mn
- Through the Looking Glass educational piece for four Celtic harps (2005), 7 mn
- elec Echo-Chaos for string quartet and electronics (2007), 6 mn [program note]
- When I do Count the Clock that Tells the Time for baritone saxophone, percussion, piano and cello (2007), 10 mn [program note]
- La voix éthérée for tenor saxophone, trombone, vibraphone and piano (2009), 15 mn [program note]
- elec ircam Tak-Sîm for string quartet and electronics (2011), 20 mn [program note]
- Soma for flute and percussion (2012), 13 mn [program note]
- Eiwān for violin, cello and piano (2014), 12 mn, Impronta [program note]
- Vāngāh for harp and piano (2014), 8 mn [program note]
- Illuminations I eight miniatures for flute, harp and cello (2015), 13 mn [program note]
- Illuminations II eight miniatures for flute, harp and viola (2015), 13 mn [program note]
- Harā for violin and cello (2016), 11 mn, Impronta [program note]
- Thraetaona for clarinet, horn and cello (2016), 13 mn [program note]
- Āptya for bassoon, horn and harp (2017), 7 mn [program note]
- String Quartet (2017), 12 mn
- elec stage Chuchotements burlesques musical theater for an actor, accordion, 2 percussionists and gesture capture device (2018-2019, 2020), 50 mn, Éditions musicales Artchipel [program note]
- stage Wīs o Rāmīn for flute, clarinet, percussion and dance (2015-2019), 20 mn [program note]
- Instrumental ensemble music
- Profilo riflesso for orchestra (2006), 10 mn [program note]
- Insolente chose for ensemble (2007), 9 mn
- Sabā for tār and fourteen instruments (2016, 2007), 19 mn [program note]
- elec Quand tu reviendras for bass flute, harp, strings and electronics (2009)
- Anagrān for flute, clarinet, violin, cello and piano (2014-2018), 18 mn [program note]
- Esquisse d'un printemps perdu for orchestra and traditional Chinese instruments (2019), 8 mn [program note]
- Vocal music and instrument(s)
- Immortal Beauty for soprano and four recorders (2013), 8 mn [program note]
- Du néant de l'être II for mezzo-soprano and organ (2018), 9 mn
- A cappella vocal music
- Sketch for sixteen voices (2016), 4 mn
- Chanson for mezzo-soprano (2017), 4 mn
- elec Mots de jeu for five female voices and electronics (2018), 12 mn [program note]
- Electronic music / fixed media / mechanical musical instruments
- elec Études for tape (2007), 2 mn 14 s
- elec Folliage Manège interactive installation (2008) [program note]
- elec Sauen interactive outdoor installation (2008) [program note]
- elec Zweite Hälfte for tape (2008), 1 h 5 mn
- Unspecified instrumentation
- stage Pavane pour le temps mort for young musicians and dancers (2021), 15 mn [program note]
- 2021
- stage Pavane pour le temps mort for young musicians and dancers, 15 mn [program note]
- 2019
- elec stage Chuchotements burlesques musical theater for an actor, accordion, 2 percussionists and gesture capture device, 50 mn, Éditions musicales Artchipel [program note]
- Esquisse d'un printemps perdu for orchestra and traditional Chinese instruments, 8 mn [program note]
- elec Poésie sans mot mixed piece for vibraphone and electronic choir, 9 mn 30 s
- stage Wīs o Rāmīn for flute, clarinet, percussion and dance, 20 mn [program note]
- 2018
- Anagrān for flute, clarinet, violin, cello and piano, 18 mn [program note]
- Du néant de l'être II for mezzo-soprano and organ, 9 mn
- La Chouette aveugle I for piano, 7 mn [program note]
- elec La Chouette aveugle II for piano and live electronics, 10 mn [program note]
- La Chouette aveugle III for piano, 8 mn [program note]
- elec Mots de jeu for five female voices and electronics, 12 mn [program note]
- 2017
- A capella for cello, 12 mn
- Chanson for mezzo-soprano, 4 mn
- Elikā for cello, 9 mn, Impronta [program note]
- String Quartet, 12 mn
- Āptya for bassoon, horn and harp, 7 mn [program note]
- 2016
- Harā for violin and cello, 11 mn, Impronta [program note]
- Sketch for sixteen voices, 4 mn
- Thraetaona for clarinet, horn and cello, 13 mn [program note]
- 2015
- Illuminations I eight miniatures for flute, harp and cello, 13 mn [program note]
- Illuminations II eight miniatures for flute, harp and viola, 13 mn [program note]
- La légende de Māh for flute, 6 mn
- elec Zāmyād for cello and live electronics, 9 mn 30 s [program note]
- 2014
- Eiwān for violin, cello and piano, 12 mn, Impronta [program note]
- Vāngāh for harp and piano, 8 mn [program note]
- Āzar for violin, 9 mn, Impronta [program note]
- 2013
- Immortal Beauty for soprano and four recorders, 8 mn [program note]
- 2012
- Soma for flute and percussion, 13 mn [program note]
- 2011
- elec ircam Tak-Sîm for string quartet and electronics, 20 mn [program note]
- 2010
- Seihoun for flute, 11 mn [program note]
- 2009
- La voix éthérée for tenor saxophone, trombone, vibraphone and piano, 15 mn [program note]
- elec Quand tu reviendras for bass flute, harp, strings and electronics
- 2008
- elec Folliage Manège interactive installation [program note]
- elec Sauen interactive outdoor installation [program note]
- elec ircam Ircam cursus Tanîn for alto flute and real-time electronics, 6 mn, BabelScores [program note]
- elec Zweite Hälfte for tape, 1 h 5 mn
- 2007
- elec Echo-Chaos for string quartet and electronics, 6 mn [program note]
- Insolente chose for ensemble, 9 mn
- Sabā for tār and fourteen instruments, 19 mn [program note]
- When I do Count the Clock that Tells the Time for baritone saxophone, percussion, piano and cello, 10 mn [program note]
- elec Études for tape, 2 mn 14 s
- 2006
- Profilo riflesso for orchestra, 10 mn [program note]
- 2005
- Au-delà du temps for string quartet, 11 mn
- Through the Looking Glass educational piece for four Celtic harps, 7 mn
- 2004
- Agrandissement I, II for piano, 12 mn
- Au-delà du néant for flute, 6 mn
- L'hiver et le parfum du printemps for piano four hands, 6 mn
Liens internet
- Site d’Alireza Farhang : https://www.alirezafarhang.com/
- SoundCloud d’Alireza Farhang : https://soundcloud.com/user-791690325
(liens vérifiés en novembre 2021).
Bibliographie
- Alireza FARHANG, Jean-François TRUBERT, « Notation of gesture and modeling: the process of composition of Mots de jeu », International Conference on Technologies for Music Notation and Representation TENOR 2020.
- Jean BRESSON, Paul BEST, Diemo SCHWARZ, Alireza FARHANG, « From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided Composition », MUME 2018: International Workshop on Musical Metacreation, 2018.
- Alireza FARHANG, « Modelling a gesture: “Tak-Sīm” for string quartet and live electronics », dans The Composer’s Book.3, (Jean Bresson, Carlos Agon, Gérard Assayag, eds), Sampzon, éditions Delatour / Paris, Ircam-Centre Pompidou, collection « Musique/Sciences », 2016, p. 275-299.
- Alireza FARHANG, « Electronic Music in Iran: Tradition and Modernity », in: Electroacoustic Music Studies, Buenos Aires, 22-25 juin 2009.
(liens vérifiés en novembre 2021).