Javier Elipe Gimeno
Spanish composer born in 1980 in Castellón de la Plana.
Javier Elipe Gimeno was born in Spain in 1980. He began his musical education at the age of ten at the Castellón Conservatory in Spain, studying piano. He went on to study composition and musicology in Valencia. Discovered by the composer José Manuel López López, Elipe Gimeno continued his composition studies in Paris at the Université Paris 8 in 2006, where he also studied musicology, with particular interest in mixed music and musical theater. He received his masters in musicology (with a specialization in composition) in 2007. He also became the student of Martin Matalon, whom he met during a master class, as well as studying with Michael Jarrell, Luis Naón, and Éric Daubresse at the Geneva University of Music.
In September 2008, he received a fellowship to complete a masters in composition in Tallinn, at the Estonian Academy of Music and Theater, where he studied with Toivo Tulev and Helena Tulve.
In 2012-2013, he participated in Cursus (the IRCAM’s composition and computer music course). In 2015, he defended his doctoral thesis, “Composer d’après le cinéma muet : une approche théorique et pratique“ (“Composing for silent film: a theoretical and practical approach”) at Université Paris 8, directed by Anne Sedes. He now teaches two seminars at Université Paris 8, “Composer avec le cinéma expérimental“ and “Composition contemporaine avec l’outil informatique“ (“Composing for experimental film” and “contemporary composing with computers”). He also organizes collquia and other events on sound composition and experimental film.
His compositions have been performed in Spain, France, Switzerland, Italy, and Estonia, at festivals including Manifeste, Archipel, Semaine du Son in Geneva, the Estonian Music Days in Tallinn, the Estonia Composers Festival, Ensems in Valencia, and the Venice Biennale.
As an instrumental composer with an interest in mixed music, Javier Elipe Gimeno has created several projects linking instrumental music and images. In 2015 he scored Clio Simon’s film Diable, Écoute, produced by Le Fresnoy in collaboration with the IRCAM. In 2014, he also received a commande d’État (commission from the French Ministry of Culture) with the Percussions de Strasbourg for a film performance with two silent films (9413: The life and death of a Hollywood Extra, by Robert Florey and Slavko Vorkapich, and Réné Clair’s Entr’acte). Both pieces premiered at the Venice Biennale in 2016. His instrumental composition for Peter Tscherkassky’s film Outer Space, originally composed for the Nikel Ensemble in Austria, was performed at the ManiFeste festival in 2019.
© Ircam-Centre Pompidou, 2019
Sources
Javier Elipe Gimeno ; Ensemble Contrechamps.
- Solo (excluding voice)
- elec ircam Ircam cursus Frequencies of Metal for tuba and live electronics (2013), 8 mn
- elec ircam 9413: The Life and Death of a Hollywood Extra, version pour un percussionniste for a percussionist and electronics (2014), 13 mn 30 s
- elec ircam Diable, écoute for bass clarinet and electronics (2015), 11 mn
- elec L'origine du bruissement. 1) Le cri music for improvised flute, electronics and pre-recorded sounds for a performance (2015)
- Chamber music
- Invention pour deux cors (2004), 6 mn
- Trio pour clarinette, violon et piano (2004), 9 mn
- Trio pour deux flûtes et contrebasse (2005), 6 mn
- Desintegraciones for three percussions and piano (2006), 10 mn
- SoNoRo for oboe, bassoon, violin, cello, percussion and piano (2006), 8 mn
- elec Trazas for clarinet, percussion, cello and electronics (2007), 8 mn
- Gestos I for cello and piano (2008), 7 mn
- Gestos II for clarinet, cello, piano and percussion (2010), 7 mn
- Trío for piano, violin and cello (2010), 11 mn
- Ombres/Éclats for flute and piano (2011), 7 mn
- elec Trio Project for clarinet, cello, marimba and electronics (2011), 9 mn
- Desgarros for flute, clarinet in A, percussion, piano, violin and cello (2012), 7 mn
- elec Praxis AB for bass clarinet, cello and electronics (2012), 15 mn
- elec ircam 9413: The Life and Death of a Hollywood Extra, version pour deux percussionnistes for two percussionists and electronics (2014), 13 mn 30 s
- elec Hollywood Extra for six percussions and electronics (2015), 35 mn
- elec Sixnomie for flute, oboe, clarinet, bassoon, trumpet, trombone and electronics (2018), 10 mn
- elec ircam Outer Space for electric guitar, piano, saxophone, percussion and real-time electronics (2019), 13 mn
- Instrumental ensemble music
- elec In Sacrum Project for ten instruments and electronics (2011), 22 mn
- elec Vertical Strokes for twelve instruments and electronics (2012), 12 mn
- elec Torn shapes for nine-instrument ensemble and electronics (2014), 10 mn
- Concertant music
- Ciudades Imaginarias concerto for marimba, piano and orchestra (2009), 10 mn
- elec Frequencies of … / Ensemble concertino for solo tuba, ensemble of ten instruments and real-time electronics (2013), 12 mn
- Vocal music and instrument(s)
- elec ircam Is it a true story telling for mezzo-soprano, bass baritone, accordion, trombone and double bass (2017), 41 mn
- Electronic music / fixed media / mechanical musical instruments
- elec Étude électroacoustique acousmatic piece for eight channels (2010), 7 mn
- elec ircam Plus Tard electroacoustic piece (2013), 11 mn
- elec Micrófono acoplado audio system with sensors and microphones (2015)
- elec Constellations, a history of Walter Benjamin electroacoustic piece (2016), 15 mn
- elec La durée exacte du temps electroacoustic composition for a video installation (2019)
- Unspecified instrumentation
- 2019
- elec La durée exacte du temps electroacoustic composition for a video installation
- elec ircam Outer Space for electric guitar, piano, saxophone, percussion and real-time electronics, 13 mn
- 2018
- elec Sixnomie for flute, oboe, clarinet, bassoon, trumpet, trombone and electronics, 10 mn
- 2017
- elec ircam Is it a true story telling for mezzo-soprano, bass baritone, accordion, trombone and double bass, 41 mn
- 2016
- elec Constellations, a history of Walter Benjamin electroacoustic piece, 15 mn
- 2015
- elec ircam Diable, écoute for bass clarinet and electronics, 11 mn
- elec Hollywood Extra for six percussions and electronics, 35 mn
- elec L'origine du bruissement. 1) Le cri music for improvised flute, electronics and pre-recorded sounds for a performance
- elec Micrófono acoplado audio system with sensors and microphones
- 2014
- elec ircam 9413: The Life and Death of a Hollywood Extra, version pour deux percussionnistes for two percussionists and electronics, 13 mn 30 s
- elec ircam 9413: The Life and Death of a Hollywood Extra, version pour un percussionniste for a percussionist and electronics, 13 mn 30 s
- elec Torn shapes for nine-instrument ensemble and electronics, 10 mn
- 2013
- elec ircam Ircam cursus Frequencies of Metal for tuba and live electronics, 8 mn
- elec Frequencies of … / Ensemble concertino for solo tuba, ensemble of ten instruments and real-time electronics, 12 mn
- elec ircam Plus Tard electroacoustic piece, 11 mn
- 2012
- Desgarros for flute, clarinet in A, percussion, piano, violin and cello, 7 mn
- Orchestration de Klavier Stücke op. 11, nº 1, d’Arnold Schöenberg, 4 mn
- Orchestration de Suggestion Diabolique de Sergei Prokofiev, 3 mn 30 s
- elec Praxis AB for bass clarinet, cello and electronics, 15 mn
- elec Vertical Strokes for twelve instruments and electronics, 12 mn
- 2011
- elec In Sacrum Project for ten instruments and electronics, 22 mn
- Ombres/Éclats for flute and piano, 7 mn
- Orchestration de Allegro de la Sonate en fa mineur op. 27, de Liapounov, 4 mn
- elec Trio Project for clarinet, cello, marimba and electronics, 9 mn
- 2010
- Gestos II for clarinet, cello, piano and percussion, 7 mn
- Trío for piano, violin and cello, 11 mn
- elec Étude électroacoustique acousmatic piece for eight channels, 7 mn
- 2009
- Ciudades Imaginarias concerto for marimba, piano and orchestra, 10 mn
- 2008
- Gestos I for cello and piano, 7 mn
- 2007
- elec Trazas for clarinet, percussion, cello and electronics, 8 mn
- 2006
- Desintegraciones for three percussions and piano, 10 mn
- SoNoRo for oboe, bassoon, violin, cello, percussion and piano, 8 mn
- 2005
- 2004
Liens internet
- SoundCloud : https://soundcloud.com/javierelipecomposer
- Regarder la projection au CentQuatre pendant ManiFeste le 28 juin 2013 du film Plus tard réalisé par Éric Oriot, musique de Javier Elipe Gimeno : https://medias.ircam.fr/xc752e6
- Regarder Diable, écoute de Clio Simon, musique composée par Javier Elipe Gimeno : https://medias.ircam.fr/x01ca6c
- Regarder la conférence du séminaire Recherche & Création du 5 octobre 2015 à l’Ircam, de Javier Elipe Gimeno et Clio Simon : https://medias.ircam.fr/x685087
(liens vérifiés en avril 2019).