Maja S. K. Ratkje
Norwegian composer born 29 December 1973 in Trondheim.
Maja S. K. Ratkje came to music through violin and singing lessons, and started composing at the piano. She studied composition at the Norwegian Academy of Music in Oslo, graduating in 2000. She has been composer-in-residence for numerous festivals, including Other Minds in San Francisco, Nordland Music Festival in Bodø (Norway), Avanti! Summer Festival in Finland, Båstad Chamber Music Festival, and the Huddersfield Contemporary Music Festival. Portait concerts of her works have been given in Toronto (2004) and Vienna (2007). Her music has been performed by ensembles such as Ensemble Intercontemporain, Klangforum Wien, Oslo Sinfonietta, Norwegian Radio Orchestra, BBC Scottish Symphony Orchestra, Fretwork, TM+, the Cikada and Bozzini String Quartets, the Renoir Quartet, crashEnsemble, Pearls for Swine Experience, Torben Snekkestad, Marianne Beate Kielland, SPUNK, Frode Haltli, and POING.
Maja Ratkje is also active as a vocalist. With an aesthetic which approaches the noise music genre, she often uses lo-fi technology such as mini-cassettes, megaphones, and low-quality microphones. She performs both as a soloist and with groups including SPUNK and BRAK RUG. Additionally, she has appeared as a soloist in performances with the Norwegian Radio Orchestra, Ensemble Intercontemporain, Klangforum Wien, Avanti! Chamber Orchestra, Trondheim Symphony, and the BBC Scottish Symphony Orchestra. She has also worked with Jaap Blonk, Joëlle Léandre, Ikue Mori, Zeena Parkins, Stephen O’Malley, Lasse Marhaug, Agrare, and POING. Ratkje regularly performs her own works for film soundtracks and dance and theatre performances, as well as in installations and various other types of projects. She notably composed a radiophonic work for Austrian playwright and novelist Elfriede Jelinek.
In 2017, she became a member of the Berlin Academy of the Arts.
Maja S. K. Ratkje’s scores are published by NB noter, the publication department of the Norwegian National Library.
Awards, Grants, and Prizes
- Edvard Prize for the Work of the Year, Norway, 1999 and 2004
- Arne Nordheim Prize, Norway, 2001
- Second Prize from the Russolo Foundation, 2001
- International Rostrum of Composers, Paris, 1999
© Ircam-Centre Pompidou, 2019
Sources
Site de la compositrice.
- Solo (excluding voice)
- elec Sinus Seduction (moods two) for tenor saxophone, reverb, quadriphony (1997), 10 mn
- elec 27’10″554 by John Cage arranged for percussion and CD for percussion and CD (2000), 27 mn 10 s
- Hopsjøfanfare for trumpet (2002), 30 mn
- Rag-sonata for piano (1999-2002), 4 mn
- Two small pieces for Arnold S. for piano (1996-2002), 1 mn 40 s
- On Wombs and Vowels for solo double bass (with voice) (2003), 5 mn
- Passing Images accordion waltz (2003), 13 mn
- Preludium for a wedding ceremony for church organ (2005), 3 mn
- elec ØX for alto saxophone and stereo playback file (2005), 10 mn
- Moods IV for harp (2009), 7 mn
- Fanfare for Roald Amundsen for trumpet (2011), 3 mn
- to F for cello (2011), 9 mn
- elec A Highway In State Space for cello and electronics (2018), 15 mn
- Chamber music
- elec Crush for violin and cello, with fuzz and delay pedals (1999-2000), 3 mn 40 s
- River Mouth Echoes for viola da gamba quartet (2001), 20 mn
- No Title Tango and Milonga for accordion, alto saxophone and double bass (open to improvisation) (2003), 2 h
- elec Rondo – Bastard – Overture – Explosion for accordion, alto saxophone and double bass and three dictaphones (2004), 17 mn
- Breaking the News for flute, piano, violin and cello (2010), 12 mn
- Tale of Lead and Light for string quartet (2011), 10 mn
- Instrumental ensemble music
- Debussy’s piano pieces « La Fille aux Cheveux de Lin » and « The little shepherd » arranged for full orchestra for orchestra (1995), 5 mn 30 s
- Waves I for ensemble (1997), 12 mn
- Waves II for ensemble (1997), 9 mn
- Waves IIb for ensemble (1997-1998), 12 mn
- 69 Marching Bars of Leftovers From an Old Century for wind instruments group (1999), 4 mn
- Chopin’s Mazurka, Op. 17 No. 4, recomposed for ensemble (2010), 4 mn
- elec « And sing while thou on pressed flowers dost sleep » for ensemble (2012), 21 mn
- Paragraf 112 for orchestra (2014), 7 mn
- Tale of Lead and Frozen Light for string orchestra (2014), 15 mn
- elec DIKHROOS for ensemble and improvisations by the soloists of SPUNK (2017), 20 mn
- Concertant music
- Gagaku Variations for accordion and string quartet (2001), 23 mn
- Engebøfjellet; Where were you when they cut me down from the gallows? for brass orchestra and electric guitar (2011), 30 mn
- Aeolian for accordion and ensemble (2017), 25 mn
- Vocal music and instrument(s)
- elec NATO athletic superstar for soprano, percussion, piano/small organ, fuzzbox and cassette player (1999), 4 mn
- elec swrd for soprano, percussionist, CD player, sampler with bad microphone (1999-2001), 15 mn
- Concerto for Voice (moods III) for voice and orchestra (2004), 25 mn
- Concerto for Voice (moods IIIb) for voice and ensemble (2007), 25 mn
- HVIL for mezzo-soprano and piano (2008), 20 mn
- stage Ein Häppchen noch one-act opera for sinfonietta, mezzo-soprano and narrator (2011), 20 mn
- Fanfare for stroh-instruments and voice for three violins, viola and voice, optional Stroh instruments and megaphone (2011), 2 mn
- elec Crepuscular Hour for three choirs, six noise musicians, church organ, conductor, sound and light (2010-2012), 60 mn
- From Ziggy Stardust for bass voice, violin, cello, piano and background voice (2013), 20 mn
- elec Gare du Nord music for performance for dancers, actors, mezzo-soprano and piano (2013), 1 h 20 mn
- elec If the Walls could sing installation (2013), 55 mn
- Love (III) for singer and accompaniment (2014), 4 mn
- Concerto for Voice (moods IIIc) for solo voice and orchestra (2015), 25 mn
- Doppelgänger for bass and double bass (2015), 5 mn
- Revelations (This Early Song) for mezzo-soprano and string quartet (2017), 55 mn
- elec Now she smiles – No, she doesn’t for voice, ensemble and electronics (2018), 45 mn
- A cappella vocal music
- Ro-Uro concert-performance for girls choir (2007), 25 mn
- Eve’s Song for mezzo-soprano (2003-2011), 5 mn
- A Dismantled Ode To The Moral Value Of Art for vocal sextet (2012), 10 mn
- elec Putin’s Case for three voices and live electronics (2012), 15 mn
- ASYLOS for alto, girls' choir and Gregorian singers (2013), 30 mn
- elec Sirkelsalme (til Betlehem / til Jerusalem) – En konsert for voice and live electronics (2013), 55 mn
- Ekkokammer 2.0 concert for Trondheim Voices (2014-2015), 60 mn
- Genier i lysflommen for girls choir (2016), 4 mn
- Electronic music / fixed media / mechanical musical instruments
- Breathe electronic work (2008), 6 mn
- elec Desibel electronic work (2008), 10 mn about
- elec In Dialogue with Rudnik electronic collage including samples processed by Eugeniusz Rudnik (2014), 30 mn
- elec It still haunts me like a good nightmare, and I try in vain to recover the impression electronic work (2014), 14 mn 33 s
- Unspecified instrumentation
- stage Adventura Anatomica dance performance (2005), 50 mn
- elec stage We have arrived music for dance performance (2006), 45 mn
- Travel Now Journey Infinitely a six-part suite (2007-2008)
- stage Korall Koral, a baby opera opera for children from 0 to 3 years old (2009), 20 mn
- stage A Safe Place to Die music for dance performance (2010), 55 mn
- elec Dancing cranes installation (2010)
- stage Høyt oppe i fjellet music for theater performance for children from 0 to 3 years old (2011), 20 mn
- elec Larache music for docu-theater performance (2011), 1 h 30 mn
- stage Adventura Botanica music for dance performance (2013), 50 mn
- Vannstand (Water Level) sound installation (2015)
- stage Sult/Hunger music for dance performance (2018), 45 mn
- Vannklang for flexible ensemble and sound files (2018), 15 mn
Catalog sources and details
Musique de films :
- A Soul of a City (Liselotte Wajstedt, 2012)
- Blackmail (Hitchcock (1929), 2015)
- Pyromanen (Erik Skjoldbjærg, 2016)
- Tjaetsie/Water (Sissel M Bergh, 2017)
- 2018
- elec A Highway In State Space for cello and electronics, 15 mn
- elec Now she smiles – No, she doesn’t for voice, ensemble and electronics, 45 mn
- stage Sult/Hunger music for dance performance, 45 mn
- Vannklang for flexible ensemble and sound files, 15 mn
- 2017
- Aeolian for accordion and ensemble, 25 mn
- elec DIKHROOS for ensemble and improvisations by the soloists of SPUNK, 20 mn
- Revelations (This Early Song) for mezzo-soprano and string quartet, 55 mn
- 2016
- Genier i lysflommen for girls choir, 4 mn
- 2015
- Concerto for Voice (moods IIIc) for solo voice and orchestra, 25 mn
- Doppelgänger for bass and double bass, 5 mn
- Ekkokammer 2.0 concert for Trondheim Voices, 60 mn
- Vannstand (Water Level) sound installation
- 2014
- elec In Dialogue with Rudnik electronic collage including samples processed by Eugeniusz Rudnik, 30 mn
- elec It still haunts me like a good nightmare, and I try in vain to recover the impression electronic work, 14 mn 33 s
- Love (III) for singer and accompaniment, 4 mn
- Paragraf 112 for orchestra, 7 mn
- Tale of Lead and Frozen Light for string orchestra, 15 mn
- 2013
- ASYLOS for alto, girls' choir and Gregorian singers, 30 mn
- stage Adventura Botanica music for dance performance, 50 mn
- From Ziggy Stardust for bass voice, violin, cello, piano and background voice, 20 mn
- elec Gare du Nord music for performance for dancers, actors, mezzo-soprano and piano, 1 h 20 mn
- elec If the Walls could sing installation, 55 mn
- elec Sirkelsalme (til Betlehem / til Jerusalem) – En konsert for voice and live electronics, 55 mn
- 2012
- A Dismantled Ode To The Moral Value Of Art for vocal sextet, 10 mn
- elec Crepuscular Hour for three choirs, six noise musicians, church organ, conductor, sound and light, 60 mn
- elec Putin’s Case for three voices and live electronics, 15 mn
- elec « And sing while thou on pressed flowers dost sleep » for ensemble, 21 mn
- 2011
- stage Ein Häppchen noch one-act opera for sinfonietta, mezzo-soprano and narrator, 20 mn
- Engebøfjellet; Where were you when they cut me down from the gallows? for brass orchestra and electric guitar, 30 mn
- Eve’s Song for mezzo-soprano, 5 mn
- Fanfare for Roald Amundsen for trumpet, 3 mn
- Fanfare for stroh-instruments and voice for three violins, viola and voice, optional Stroh instruments and megaphone, 2 mn
- stage Høyt oppe i fjellet music for theater performance for children from 0 to 3 years old, 20 mn
- elec Larache music for docu-theater performance, 1 h 30 mn
- Tale of Lead and Light for string quartet, 10 mn
- to F for cello, 9 mn
- 2010
- stage A Safe Place to Die music for dance performance, 55 mn
- Breaking the News for flute, piano, violin and cello, 12 mn
- Chopin’s Mazurka, Op. 17 No. 4, recomposed for ensemble, 4 mn
- elec Dancing cranes installation
- 2009
- stage Korall Koral, a baby opera opera for children from 0 to 3 years old, 20 mn
- Moods IV for harp, 7 mn
- 2008
- Breathe electronic work, 6 mn
- elec Desibel electronic work, 10 mn about
- HVIL for mezzo-soprano and piano, 20 mn
- Travel Now Journey Infinitely a six-part suite
- 2007
- Concerto for Voice (moods IIIb) for voice and ensemble, 25 mn
- Ro-Uro concert-performance for girls choir, 25 mn
- 2006
- elec stage We have arrived music for dance performance, 45 mn
- 2005
- stage Adventura Anatomica dance performance, 50 mn
- Preludium for a wedding ceremony for church organ, 3 mn
- elec ØX for alto saxophone and stereo playback file, 10 mn
- 2004
- Concerto for Voice (moods III) for voice and orchestra, 25 mn
- elec Rondo – Bastard – Overture – Explosion for accordion, alto saxophone and double bass and three dictaphones, 17 mn
- 2003
- No Title Tango and Milonga for accordion, alto saxophone and double bass (open to improvisation), 2 h
- On Wombs and Vowels for solo double bass (with voice), 5 mn
- Passing Images accordion waltz, 13 mn
- 2002
- Hopsjøfanfare for trumpet, 30 mn
- Rag-sonata for piano, 4 mn
- Two small pieces for Arnold S. for piano, 1 mn 40 s
- 2001
- Gagaku Variations for accordion and string quartet, 23 mn
- River Mouth Echoes for viola da gamba quartet, 20 mn
- elec swrd for soprano, percussionist, CD player, sampler with bad microphone, 15 mn
- 2000
- elec 27’10″554 by John Cage arranged for percussion and CD for percussion and CD, 27 mn 10 s
- elec Crush for violin and cello, with fuzz and delay pedals, 3 mn 40 s
- 1999
- 69 Marching Bars of Leftovers From an Old Century for wind instruments group, 4 mn
- elec NATO athletic superstar for soprano, percussion, piano/small organ, fuzzbox and cassette player, 4 mn
- 1998
- Waves IIb for ensemble, 12 mn
- 1997
- elec Sinus Seduction (moods two) for tenor saxophone, reverb, quadriphony, 10 mn
- Waves I for ensemble, 12 mn
- Waves II for ensemble, 9 mn
- 1995
Catalog source(s)
Musique de films :
- A Soul of a City (Liselotte Wajstedt, 2012)
- Blackmail (Hitchcock (1929), 2015)
- Pyromanen (Erik Skjoldbjærg, 2016)
- Tjaetsie/Water (Sissel M Bergh, 2017)
Liens internet
- Site de la compositrice : http://ratkje.no/ (lien vérifié en mars 2019).
Discographie sélective
- Maja S. K. RATKJE, [Introduksjon] – This wondrous city ; [Sjå, Åmioda] – And not a sound left my throat ; The bouncing movement my foot makes every time my pulse strikes ; [Sayago] – A gliding sound such as this ; A woodchip to chew on ;Eyes like raw silk, arms of amber ; A white lighthouse in a muddy sea of humans where wrecks floated about ; I sense my shoes as a slowly whizzing tone towards me ; Kristiania, dans « Sult », 1 CD Rune Grammofon, 2019, RCD2204.
- Maja S. K. RATKJE, « And sing while thou on pressed flowers dost sleep » ; Concerto for Voice (moods IIIb), CIKADA ; Oslo Sinfonietta, dans « And sing… », 2016.
- Maja S. K. RATKJE, « Crepuscular Hour », The 24 ; RNCM Chamber Choir ; University of Huddersfield Chamber Choir ; James Weeks, direction, 1 CD Rune Grammofon, 2016, RCD2181.
- Maja S. K. RATKJE, « Das Wohltemperierte SPUNK », 6 CD Rune Grammofon, 2013, RCD2140.
- Maja S. K. RATKJE, « Cyborgic », 1 vinyle The Last Record Company, 2009, TLRC 3.
- Maja S. K. RATKJE, Øx ; Wintergarden ; Waves IIb ; Sinus Seduction (Moods Two), dans « River Mouth Echoes », 1 CD Tzadik, 2008, TZ 8051.
- Maja S. K. RATKJE, Bark up a tree and get leaves in your mouth ; Ground Creature ; The Red Hooded Lady of the Woods ; Too many trees ; Once upon a time ; Floating, hiding, posing ; The Wolf ; Woods have ears, dans « Adventura Anatomica », 1 CD Semishigure, 2006, semi 009.
- Maja S. K. RATKJE, « Stalker », 1 vinyle Important Records, 2006, IMPREC092.
- Maja S. K. RATKJE, Intro ; Joy ; Trio ; Octo ; Vacuum ; Dictaphone Jam ; Voice ; Chipmunk Party ; Interlude ; Acid ; Insomnia, dans « Voice », 2 CD Rune Grammofon, 2002, RCD2028.
- Maja S. K. RATKJE, Waves IIb, dans « Faces », 1 CD Albedo, 2000, ALBCD017.
Filmographie
- Ingo Biermann, Kai Miedendorp, Voice – Sculpting Sound with Maja S. K. Ratkje, 2015.