Marisol Jiménez
Mexican composer born 14 November 1978 in Guadalajara, Mexico.
Marisol Jiménez is a composer, performer, and interdisciplinary artist. She obtained a Master of Arts degree from Mills College (California) in 2005 and a Doctorate in composition from Stanford University in 2011. Over the course of her education, she studied with Brian Ferneyhough, Mark Applebaum, Chris Chafe, Erik Ulman and Josh Levine. She is the founder and Artistic Director of the ARTSON Festival of contemporary music, which takes place in her home town of Guadalajara. She was awarded first prize in the 39th International Irino Composition for Chamber Orchestra Competition (Tokyo), and recently became a member of the Sistema Nacional de Creadores de Arte in Mexico.
Her works have been commissioned and programmed by groups such as BIT20, London Sinfonietta, Decoder Ensemble, SLORK (Stanford Laptop Orchestra), OEIN (Orquesta Experimental de Instrumentos Nativos), Surplus, Ensemble Intercontemporain, Ensemble Recherche and Arditti Quartet. Her music has been performed in the USA, Brazil, Japan, and throughout Europe, including at festivals such as Borealis, Heroines of Sound, Ultima, Darmstadt Ferienkursen, SLAM (Seattle), Festival Signal Flow at Mills College, and Ultraschall.
Her catalogue comprises, for the most part, chamber music with electronics, often also making use of visual elements and/or real-time audio treatments. Her works reveal a fascination for the tactile nature of the compositional process, and for the intrusions of entropy in a structured musical “machinery.” In line with her creative objectives, she often produces her own sounds and constructs sonic sculptures using found objects, field recordings and experimental electro-acoustic instruments. For example, her “noise spring harps,” comprising large suspended springs which may be struck or bowed, are required for performances of Mesetas (2010), Songôj Fontoj (2012), Yuariya Vaicári (2016), and Sensuous Matter (2018). For the latter work (a large-scale installation), Jiménez was awarded a grant from the Initiative Neue Musik in Berlin in 2018.
Several of her installations (e.g., Sensuous Matter (2018), Cuicári heciariyá (2017)) have been presented at Spektrum in Berlin, a venue that is focused on presenting works which are deeply connected to technology. Another installation, Rhizomatic Portal (2010), was presented at the SOMArts Cultural Center in San Francisco.
Marisol Jiménez currently lives in Berlin.
© Ircam-Centre Pompidou, 2021
Sources
Berliner Festspiele ; CCRMA
- Solo (excluding voice)
- Tríptico for alto saxophone (2001), 6 mn
- Torrentes for piano (2002), 7 mn
- elec Mesetas for computer orchestra and noise harp (2010), 10 mn
- elec Ruinas Circulares for trombone and live electronics (2012), 13 mn
- elec Islas Migrantes for piano and electronics (2013), 11 mn
- elec Yuariya Haramára for amplified percussion and live electronics (2016), 17 mn 15 s
- Chamber music
- Ecos Oníricos for two alto saxophones and two percussionists (2000-2001), 10 mn
- Reflejo Lunar for wood quintet (2001), 3 mn 30 s
- Sombra y Muro for string quartet (2001), 7 mn
- Añoranzas del Fuego for bass clarinet and double bass (2004), 10 mn
- Sed de Arcano for string quartet (2004), 13 mn
- elec Guijarros- Humaredas for three percussionists and electronics (2006), 13 mn 30 s
- Grieta y Luz Emergente for flute, oboe, violin and cello (2007), 10 mn
- Nubes de Temporal for flute, clarinet, piano, percussion, violin and cello (2007), 8 mn
- Bestiario Onírico II – Ciudadela for flute and cello (2009), 8 mn 30 s
- Bestiario Onírico III – Amba for bass clarinet, electric guitar and accordion (2011), 7 mn 30 s
- elec Humedales Trio for harp, trombone, percussion and computer performer (2011), 7 mn 30 s
- elec Songôj Fontoj for violin, double bass, noise spring harp (sonic sculpture) and video (2012), 39 mn
- elec Yuariya Vaicári for prepared amplified violin, noise harp and live electronics (2016), 14 mn
- elec Yiríya áiteiyá for percussion, sampler, violin, viola, cello and live electronics (2017), 15 mn
- Instrumental ensemble music
- Nubifragios for flute, oboe, clarinet, piano, percussion and string quartet (2007), 10 mn
- elec Bestiario Onirico I – Migración for flute, oboe, clarinet, trombone, viola, cello, double bass and electronics (2008), 12 mn
- elec Bestiario Onírico IV – Humedal for flute, oboe, bass clarinet, amplified percussion, accordion, piano, violin, cello and double bass (2011-2012), 8 mn 30 s
- elec TINIWE for ensemble and electronics (2014), 13 mn 30 s
- XLIII Memoriam Vivere for ensemble (2015), 14 mn
- elec Cuicári áiteiyá for chamber orchestra and electronics (2018)
- elec Sensuous Matter for cybernetic ensemble (2018)
- elec Cuaicari áiteíyá for chamber orchestra and electronics (2019), 15 mn
- Vocal music and instrument(s)
- La Habitación Vacía for soprano, flute and harp (2000), 12 mn
- elec Ventanales III for three voices, flute, shakuhachi, violin, double bass, piano, and electronics (2005), 8 mn
- elec CARO CIBUS for voice, bass clarinet, cello, electric guitar, piano, percussion, electronics and video (2013), 17 mn
- elec Cantos del Arsenal for chamber orchestra composed of Bolivian instruments, six voices and electronics (2020)
- Electronic music / fixed media / mechanical musical instruments
- elec Invernales for electronics (2003), 10 mn
- elec Natura Artificiala for electronics (2003), 10 mn
- elec Cuicári heciariyá for multi-channel acousmatic ambisonics system (2017), 11 mn
- Fontana sound system for autonomous noise machines (2020)
- Le jardin est vivant avec le bruit sound system for autonomous noise machines (2020)
- Unspecified instrumentation
- KOMMA public art installation on a bridge over the Amstel (Amsterdam) (2004), 4 h 31 mn
- elec Bruma de Ensueño for video and electronics (2008), 7 mn 30 s
- elec Ciudedela for any number of performers on computers and amplified seashells (2008), 7 mn
- elec Pasajes Quimera sound and visual installation (2008)
- elec Rhizomatic Portal audiovisual intermedia installation (2010)
- elec Vakuum for amplified objects, live electronics and video (2014), 19 mn
- 2020
- elec Cantos del Arsenal for chamber orchestra composed of Bolivian instruments, six voices and electronics
- Fontana sound system for autonomous noise machines
- Le jardin est vivant avec le bruit sound system for autonomous noise machines
- 2019
- elec Cuaicari áiteíyá for chamber orchestra and electronics, 15 mn
- 2018
- elec Cuicári áiteiyá for chamber orchestra and electronics
- elec Sensuous Matter for cybernetic ensemble
- 2017
- elec Cuicári heciariyá for multi-channel acousmatic ambisonics system, 11 mn
- elec Yiríya áiteiyá for percussion, sampler, violin, viola, cello and live electronics, 15 mn
- 2016
- elec Yuariya Haramára for amplified percussion and live electronics, 17 mn 15 s
- elec Yuariya Vaicári for prepared amplified violin, noise harp and live electronics, 14 mn
- 2015
- XLIII Memoriam Vivere for ensemble, 14 mn
- 2014
- 2013
- elec CARO CIBUS for voice, bass clarinet, cello, electric guitar, piano, percussion, electronics and video, 17 mn
- elec Islas Migrantes for piano and electronics, 11 mn
- 2012
- elec Bestiario Onírico IV – Humedal for flute, oboe, bass clarinet, amplified percussion, accordion, piano, violin, cello and double bass, 8 mn 30 s
- elec Ruinas Circulares for trombone and live electronics, 13 mn
- elec Songôj Fontoj for violin, double bass, noise spring harp (sonic sculpture) and video, 39 mn
- 2011
- Bestiario Onírico III – Amba for bass clarinet, electric guitar and accordion, 7 mn 30 s
- elec Humedales Trio for harp, trombone, percussion and computer performer, 7 mn 30 s
- 2010
- elec Mesetas for computer orchestra and noise harp, 10 mn
- elec Rhizomatic Portal audiovisual intermedia installation
- 2009
- Bestiario Onírico II – Ciudadela for flute and cello, 8 mn 30 s
- 2008
- elec Bestiario Onirico I – Migración for flute, oboe, clarinet, trombone, viola, cello, double bass and electronics, 12 mn
- elec Bruma de Ensueño for video and electronics, 7 mn 30 s
- elec Ciudedela for any number of performers on computers and amplified seashells, 7 mn
- elec Pasajes Quimera sound and visual installation
- 2007
- Grieta y Luz Emergente for flute, oboe, violin and cello, 10 mn
- Nubes de Temporal for flute, clarinet, piano, percussion, violin and cello, 8 mn
- Nubifragios for flute, oboe, clarinet, piano, percussion and string quartet, 10 mn
- 2006
- elec Guijarros- Humaredas for three percussionists and electronics, 13 mn 30 s
- 2005
- elec Ventanales III for three voices, flute, shakuhachi, violin, double bass, piano, and electronics, 8 mn
- 2004
- Añoranzas del Fuego for bass clarinet and double bass, 10 mn
- KOMMA public art installation on a bridge over the Amstel (Amsterdam), 4 h 31 mn
- Sed de Arcano for string quartet, 13 mn
- 2003
- elec Invernales for electronics, 10 mn
- elec Natura Artificiala for electronics, 10 mn
- 2002
- Torrentes for piano, 7 mn
- 2001
- Ecos Oníricos for two alto saxophones and two percussionists, 10 mn
- Reflejo Lunar for wood quintet, 3 mn 30 s
- Sombra y Muro for string quartet, 7 mn
- Tríptico for alto saxophone, 6 mn
- 2000
- La Habitación Vacía for soprano, flute and harp, 12 mn
Liens Internet
- Site de la compositrice : www.marisoljimenezcomposer.com
- SoundCloud : www.soundcloud.com
- Page de Marisol Jiménez sur le site du CCRMA : www.ccrma.stanford.edu
(lien vérifié en septembre 2021).
Discographie
- Marisol JIMÉNEZ, Guijarros-Humaredas, Florian Conzetti, Christopher Froh, Loren Mach : percussions, dans « 541, Vol. 3 », 1 CD Innova, 2008, INNOVA705.