Pierre Jodlowski
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flute
Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.
• Check Audio Status for signal mapping. 1 Input on ch 1, 2 outputs on ch 1-2.
• Fix Sampling Rate to 48KHz.
• I/O Vector Size : 256 Samples.
• Signal Vector Size : 64 Samples.
• Scheduler in Overdrive : 1.
• Audio interupt : 0.
• turn on MIDI & Keys for activating the MIDI pedal and the shortcuts. Once your MIDI & Keys is on your keybord becomes a triggering interface. Don't use it unless necessary ! be very vigilent !!
• Check the polarity of your MIDI pedal. (Some pedals have inversed polarity.)
• You can always re-trigger any event by your computer using arrows and spacebar, or by mousing.
• click on init button
• turn on DSP
• You're ready to perform !
The composer's desire was to maintain the stereo output from the patch, and eventually spatialize the piece in real time directly on the final mixer, in as many channels as we can afford.
• The reverb should be as transparent as possible. It shouldn't be considered as a treatment. Adjust the dry/wet knob for a better mixing. Avoid to change the reverb parameters, unless necessary. You can store these changes in a new preset p DSP+RVB/p REVERB. In case you create a new preset you have to import the .json file manually. Do not write over the original .json file.
• In case you don't want to reverberate and mix the flute in Max you can Bypass this part of the patch.
infos => Shift + "i"
Stop all => "s"
Stop current => shift + "s"
Trigger event => "spacebar"
Next Event => Right Arrow
Previous Event => Left Arrow
Updated at
Do you notice a mistake?