Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1507 works out of 51359
- Warum for ensemble (2005) / Hannes Löschel
- Warum bist du aufgewacht for voice and piano (1893-1894), Arnold Schönberg, édition complète / Arnold Schoenberg
- Watchman! [II] From First Sonata for Violin and Piano, for medium voice and piano (1906-1913), 1 mn 30 s, Peer International Corporation [program note] / Charles Ives
- Wayfaring Moon for noh voice and flute (2011), 9 mn / Juha T. Koskinen
- We've Come for voice and piano (1938) / Aaron Copland
- Weaves for two solo voices, choir and chamber orchestra (2010), Boosey & Hawkes / Meredith Monk
- Weihnachtsgefühl for voice and piano (1899) / Richard Strauss
- Weihnachtslied for voice and piano (1870) / Richard Strauss
- Weil' auf mir / Eyes so dark for medium voice and piano (1902), 2 mn, Peer International Corporation [program note] / Charles Ives
- Wenn ich auf deiner brükke steh from Der Siebente Ring by Stefan George, for voice and piano (1922) / Theodor Adorno
- Wer hat's getan?, for voice and piano (1885) / Richard Strauss
- Wer lebt, wird sehen! Ein kleiner Beitrag zur großen Sache for voice and piano (1958), Inédit / Paul Dessau
- West London A Sonnet, for medium voice and piano (1912-1921), 3 mn 30 s, Merion Music / Charles Ives
- What is the word for voice and instrumental ensemble (2012), 10 mn about , PWM (Polskie Wydawnictwo Muzyczne) / Agata Zubel
- What Shall I Buy You, Son? for voice and piano (2000), 5 mn, Boosey & Hawkes / Louis Andriessen
- What the River Said for Dhrupad singer, violin and baroque cello, surbahar and percussion (2005), 45 mn about / Terry Riley
- When stars are in the quiet skies for medium voice and piano (1896-1900), 2 mn, Merion Music / Charles Ives
- When you're feeling like expressing your affection for voice and piano (1935-1936), Faber Music / Benjamin Britten
- Where She Lies for voice and piano (1924), J. Curwen & Sons / Henry Cowell
- where the bee sucks for voice and piano (2012), 3 mn, Schirmer / David Lang
- Where the eagle cannot see for medium voice and piano (1899-1906), 2 mn, Associated Music Publishers / Charles Ives
- elec stage Where the Wild Things Are fantasy opera in one act (nine scenes) (1979-1983), 40 mn, Faber Music / Oliver Knussen
- Who knows the light for voice and piano (1899) / Charles Ives
- elec Widerstehen chamber opera for mezzo-soprano, actress, ensemble and electronics (2009-2012), 45 mn, The Fox Edition / Christopher Fox
- Widmung for high voice and piano (1898), 2 mn, Associated Music Publishers / Charles Ives
- Wie Melodien zieht es mir for high voice and piano (1898-1900), 2 mn 15 s, Associated Music Publishers / Charles Ives
- Wiegenlied for voice and piano (1878) / Richard Strauss
- Wiegenlied for medium voice and piano (1906), 2 mn, Associated Music Publishers / Charles Ives
- Wiegenlied einer proletarischen Mutter for voice and piano (1944), Inédit / Paul Dessau
- Wiegenlied Nr. 2 for voice and piano (1944), Inédit / Paul Dessau
- Wild Spaces for two clarinets, soprano and vocal ensemble (2008) / Øyvind Torvund
- William Will A Republican Campaign Song, for medium voice and piano (1892-1896), 4 mn, Associated Music Publishers / Charles Ives
- Wind for singing voice and piano (1960), Inédit / Morton Feldman
- Winestead for voice and ensemble (2017), 20 mn, Schott / Gavin Bryars
- Winterliebe, op. 48 for voice and orchestra (1900, 1918), 3 mn, Boosey & Hawkes / Richard Strauss
- Winterreise for voice and piano (1871) / Richard Strauss
- Wir beide wollen springen for voice and piano (1896), Boosey & Hawkes / Richard Strauss
- Wir sind die rote Mauer for voice and piano (1957), 2 mn 30 s, Friedrich Hofmeister Musikverlag / Paul Dessau
- Wir singen unser neues Lied (fragment) for voice (1972), Inédit / Paul Dessau
- Wireless technologies for voice and ensemble (2011), 15 mn, édition du compositeur / Dmitri Kourliandski
- Wodnica ; Kołysanka lipowa two songs, for voice and piano (1934), partition perdue / Witold Lutosławski
- Wohltätigkeit for solo voice, two clarinets, alto saxophone, two trumpets, trombone, percussion, banjo, piano and double bass (1929), 3 mn 10 s, Breitkopf & Härtel / Hanns Eisler
- Worksong for a voice and synthesizer (2003) / Terry Riley
- stage Worte –Töne – Schritte musical history for voice, percussion and synthesizer (1997), 15 mn, Schott / Dieter Schnebel
- Wortlos two pieces for (silent) voice and piano (2007), 3 mn, Universal Edition / Wolfgang Rihm
- Woyzeck for voice, violin, accordion and percussion (1993), Dunvagen Music Publishers / Philip Glass
- stage Wum und Bum und die Damen Ding Dong version for voice and chamber orchestra (2019), 50 mn, Edition Juliane Klein / Gordon Kampe
- elec wunderzaichen opera (2017, 2008-2014), 2 h, Peters / Mark Andre
- Xenion 'Nichts vom Vergänglichen' for voice and piano (1942), Boosey & Hawkes / Richard Strauss
- Y despues for voice and piano (1983), 3 mn, Boosey & Hawkes / Louis Andriessen