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Works / By specific formation

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5659 works out of 51359

The Camp Meeting for deep voice and piano, taken from Symphony No. 3 (1901-1912), 3 mn, Peer International Corporation / Charles Ives
elec stage The Carbon Copy Building for solo voices and ensemble (1999), 1 h 12 mn, Red Poppy / Michael Gordon
stage The Carmen Case opera for nine singers and ensemble (2022), 1 h 45 mn / Diana Soh
The Cartographer Song for soprano, two clarinets, viola, cello and double bass (2006), 5 mn, Boosey & Hawkes / Olga Neuwirth
The Cat for soprano and piano (2004), 5 mn / Vito Žuraj
elec stage The Cave three-act documentary video opera in collaboration with videographer Beryl Korot (1993), 2 h 22 mn, Boosey & Hawkes / Steve Reich
The Celestial Country for tenor and baritone, two vocal quartets, mixed choir and instrumental ensemble (1898-1902), 37 mn, Peer International Corporation / Charles Ives
The Child Lived for soprano and cello (1992), 7 mn, Chester Music / Sir John Tavener
The Children's Hour for medium voice and piano (1912-1913), 2 mn, Merion Music / Charles Ives
The Circus Band for medium voice and piano (1894-1899), 2 mn, Peer International Corporation / Charles Ives
The City of Dis or: The Ship of Fools for solo voices, choir and ensemble (2007), 21 mn, Boosey & Hawkes / Louis Andriessen
stage the CIVIL warS - Cologne A tree is best measured when it is down (1984), 28 mn, Dunvagen Music Publishers / Philip Glass
stage the CIVIL warS - Rome A tree is best measured when it is down. Act V - Rome section (1983), 2 h, Dunvagen Music Publishers / Philip Glass
The Collection for medium voice and piano (or organ?), with "Response by the Village Choir" (1920), 2 mn 30 s, Peer International Corporation / Charles Ives
elec stage The Comet chamber opera for soprano, contralto, countertenor and ensemble (2024), Peters / George Lewis
The Coming of the Day for voice and piano (1898) / Charles Ives
The Company of Heaven Cantata for reciter, soprano and tenor solo, SATB choir and chamber orchestra (1937), 45 mn, Faber Music / Benjamin Britten
stage The Corridor scene for soprano, tenor and ensemble (2008), 48 mn, Boosey & Hawkes / Sir Harrison Birtwistle
The Crossing for trombone, soprano saxophone, piano, 2 synthesizers, mixed chorus, 3 female soloists and speaker/cantor (1978) / Alvin Curran
stage The Cure for two singers and ensemble (2014-2015), 56 mn, Boosey & Hawkes / Sir Harrison Birtwistle
The Death of Ivan Ilyich for bass baritone, cello and ensemble (2012), 25 mn, Chester Music / Sir John Tavener
elec stage The Death of Klinghoffer opera in two acts (1990-1991), 2 h 20 mn, Boosey & Hawkes / John Adams
The Death’s Jests’ Book three Lieder for female voice and orchestra (2004), 15 mn, Inédit / Daniele Ghisi
The Difference for soprano, baritone and piano (1944), Inédit / Elliott Carter
stage the difficulty of crossing a field for solo voices, choir and string quartet (2002), 1 h 15 mn, Schirmer / David Lang
The Dissembler monologue for baritone and ensemble (1978), 20 mn, Bärenreiter / Ernst Krenek
The Distance (This) for soprano and ensemble (2008), Majolika / Jason Eckardt
stage The Doctor of Myddfai opera in two acts (1995), 1 h 35 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
The Earth Cried Out to the Sky for mezzo-soprano and piano (2022), 11 mn, Birdsong / Charlotte Bray
The Elements of Style for soprano, tenor and ensemble (2005), 24 mn, St. Rose Music Publishing / Nico Muhly
The Ending Year for deep voice and piano (1898-1902), 2 mn 30 s, Associated Music Publishers / Charles Ives
stage The English Cat - Die englische Katze story for singers and instruments (1980-1983), 1 h 10 mn, Schott / Hans Werner Henze
The Ethernal Time Shadow Ramprasad, trans, for a voice and two synthesizers (1982) / Terry Riley
stage The Eye of Horus for solo voice and percussion (1967) / Halim El-Dabh
stage The Fall of the House of Usher opera in two acts for soloists and ensemble (1987), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
The Fields of Sorrow for two sopranos, eight-part choir and ensemble (1971-1972), 9 mn, Universal Edition / Sir Harrison Birtwistle
stage The First Emperor opera in three acts (2006), 2 h 35 mn, Schirmer / Tan Dun
The Five Acts of Harry Patch for mezzo-soprano, baritone, choir and ensemble (2008), 15 mn, Chester Music / Sir Peter Maxwell Davies
The Flea for tenor or soprano and piano (1960), 3 mn, Inédit / Ernst Krenek
stage The Flood musical play (1961-1962), 24 mn, Boosey & Hawkes / Igor Stravinsky
The Force for Peace in War cantata for soprano and chamber orchestra (1974-1988), between 22 mn and 24 mn / Gloria Coates
stage The Fox and the Crow chamber opera (2011), 7 mn, Birdsong / Charlotte Bray
The Garden Memento for countertenor, percussion and piano (2006), 8 mn, Bärenreiter / Matthias Pintscher
The Ghosts of Alhambra Spanish Songbook I, for baritone, guitar and percussion (2008), 16 mn, Peters / George Crumb
stage The Gold-Bug opera (2017), 1 h 10 mn, Ricordi / Dai Fujikura
stage The Gospel According to the Other Mary Passion Oratorio in two acts for orchestra, choir and soloists (2012), 2 h, Boosey & Hawkes / John Adams
The Greatest Man for medium voice and piano (1921), 1 mn 30 s, Associated Music Publishers [program note] / Charles Ives
The Head of the Bed for soprano and four instruments (1982), Peters / Milton Babbitt
elec ircam Ircam cursus The heart off guard for soprano, string trio and electronics (2014) / Gabriele Vanoni
The Heart's Assurance song cycle for voice and piano (1950-1951), 17 mn, Schott / Sir Michael Tippett

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Works / By specific formation

5659 works out of 51359

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