Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?237 works out of 51359
- Die faule Vernunft Hörspiel for two voices and ensemble (1986-1987), 19 mn, Thürmchen Verlag / Carola Bauckholt
- elec stage Die Maulschelle ein Rätsel triangle-shaped carnival scene for two voices, percussion, distant string quartet and electronics (1998), Ricordi / Fabio Nieder
- stage Die Schamlosen one act show (1990), 10 mn, édition du compositeur / Olga Neuwirth
- elec stage Diotima e euridice chamber opera for voices, instruments and electronics (2005), 1 h 10 mn, Suvini Zerboni / Nicola Sani
- stage Down by the Greenwood Side A Dramatic Pastoral (1968-1969), 30 mn, Universal Edition / Sir Harrison Birtwistle
- Due Pezzi sacri for two sopranos, piano, two harps, timpani and bells (1949), Inédit / Luciano Berio
- Duets from Doctor Ox’s Experiment for soprano, counter-tenor and ensemble (1998), 37 mn / Gavin Bryars
- elec stage Earth and the Great Weather A Sonic Geography of the Arctic, for strings, four singing voices, four speaking voices, four percussion, digital delay and fixed sounds (1990-1993), 1 h 30 mn, Theodore Front Musical Literature / John Luther Adams
- elec Echo & Narcisuss for soprano, viola, ensemble and live electronics (2018), between 11 mn and 15 mn, BabelScores / Huihui Cheng
- Effarene for soprano, mezzo-soprano, 2 pianos and 6 percussion (1984), 38 mn, Schott / Gavin Bryars
- Ein Mädchen oder... Zauberflötenkonzentrat for four voices and instruments (2005), 4 mn, Schott / Dieter Schnebel
- stage El canto quiere ser luz theatrical action for soprano, tenor, baritone, narrator, two mimes and nine instruments (1994), 30 mn, Suvini Zerboni / Alessandro Solbiati
- El dilema for soprano, countertenor and ensemble (2020-2022), 20 mn / José Río‑Pareja
- El Rey de Harlem imaginary theater I, for mezzo-soprano and ensemble (1979-1980), 30 mn, Schott / Hans Werner Henze
- Éloges odes and epitaphia for guitar and medieval ensemble (2006), 7 mn, Hips Road Edition / John Zorn
- En el nombre del Padre Pagan Requiem, for eight solo voices, four percussionists and piano (1994-1995), 25 mn / Hilda Paredes
- stage Entanglement chamber opera (2015), 40 mn about , Birdsong / Charlotte Bray
- stage Entre chien et loup musical theater for soprano, actor and five instrumentalists (1999), 60 mn, Durand / Georges Aperghis
- stage Entre los árboles chamber opera for soprano, baritone, tenor, percussion, accordion and piano (2021), 30 mn / José Río‑Pareja
- stage Ephemera musical show for four instrumentalists, two singers and two actors (2000), 45 mn, Inédit / Oscar Strasnoy
- elec Eterno vuoto for soprano, mezzo-soprano, ensemble and live electronics (2024), 18 mn, Suvini Zerboni [program note] / Pasquale Corrado
- stage exaudi opera for soprano, tenor, flute, clarinet in Bb/bass clarinet in Bb, violin, cello, percussion and piano (2020), 35 mn, Edition·S / Bára Gísladóttir
- Exercices, Variantes educational exercises around the music of La Bouteille à la mer (1976), 1 h 40 mn, partition retirée du catalogue / Georges Aperghis
- elec Flaschenpost vom Paradies for television (1972-1973), Inédit / Ernst Krenek
- elec Fontana Mix DS after Fontana Mix by John Cage, for two voices, three instrumentalists and tape (2002), 10 mn, Schott / Dieter Schnebel
- Fool's Rhymes for soprano, alto, tenor, bass and ensemble (1992), 12 mn, Faber Music / Thomas Adès
- Formes-Fragments for six voices, brass and percussion (1987), 15 mn, Lemoine [program note] / Michael Jarrell
- elec stage Fragment Concept Opera, for two voices, ensemble, video and electronics (2012), 1 h 10 mn / Heera Kim
- stage Fragments Journal d'un Opéra, musical theater (1977), 30 mn, Salabert / Georges Aperghis
- elec Fragments d'autre binaural installation for two actors, 4 saxhorns, piano, harp, violin, percussion and electronic sounds (2021) / Aurélien Dumont
- elec stage FRAME transmedia musical theater (2018-2020), 1 h 15 mn / Malte Giesen
- Full for solo voices, percussion and piano (2002), 15 mn, partition retirée du catalogue / Christophe Bertrand
- Haben Sie Zeit? for two narrators, violin, oboe, horn, harmonium and percussion (2000), 27 mn / Manos Tsangaris
- elec stage Harriet Scenes in the Life of Harriet Tubman, chamber opera for soprano, mezzo-soprano, percussion, violin, guitar and electronics (2018), 1 h 30 mn, University of York Music Press / Hilda Paredes
- Henry Purcell, Dido & Æneas for soloists and ensemble (2011), 55 mn, Billaudot / Oscar Strasnoy
- Hermeticum Sacrum for voices and ensemble (2002), 20 mn, Hips Road Edition / John Zorn
- stage Herr Reinecke Fuchs music for a play by Heinrich Anton for voice(s) and ensemble (1931), Inédit / Ernst Krenek
- Histoire d'œuf musical illustration for a radio play, for percussion sextet, piano, celesta and two reciters (1961-1962), Inédit / Serge Nigg
- stage Histoire de loups opera (1976), 2 h 15 mn, Salabert / Georges Aperghis
- stage Histoire du soldat read, played and danced in two parts (1918), 35 mn, Chester Music [program note] / Igor Stravinsky
- Homme Hors Temps for soprano, tenor and ensemble (2017), BabelScores / Pedro García-Velásquez
- stage Hydrogen Jukebox chamber opera for soloists and ensemble, collaboration with Allen Ginsberg and Jerome Sirli (1990), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- stage I Was Looking at the Ceiling and Then I Saw the Sky "Songplay", in two acts (1995), 1 h 20 mn, Boosey & Hawkes / John Adams
- stage Ich will lächeln, lächeln, lächeln pocket opera for two female and two male singers and ensemble (2019-2020), 20 mn, Edition Juliane Klein / Gordon Kampe
- II2 Schumann-Moment Re-Visionen II, for voices (or wind intruments), harp and percussion (1989), 2 mn, Schott / Dieter Schnebel
- elec stage Immer noch Loge music theatre for three voices, ensemble and recording (2021), 60 mn, Edition Juliane Klein / Gordon Kampe
- Je laisse à la nuit son poids d’ombre for 2 sopranos, flute, clarinet, trombone, tuba, violin, cello, percussion and synthesizer (2019-2020), 1 h 5 mn, Wandelweiser / Jürg Frey
- elec stage Je me révolte donc nous sommes show for soprano, actor, guitar, bass, percussions and electronics, on texts by Nietzsche, Camus, Musset, Ramonet... (1995) / Wilfried Wendling
- stage Jojo musical theater (1990), 1 h 10 mn, pas d'éditeur / Georges Aperghis
- stage Jules Verne chamber fantasy in performance form for percussion trio, three voices, trumpet and piano (1987), 60 mn, Ricordi / Giorgio Battistelli