Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?101 works out of 51359
- Luminous Body for nine voices and orchestra (2011), 26 mn, St. Rose Music Publishing / Nico Muhly
- stage MALDOROR opera in 7 scenes based on the Chants de Maldoror (2006-2010), 1 h 40 mn, Bärenreiter / Philipp Maintz
- stage Mavra opera bouffe in one act (1947, 1921-1922), 26 mn, Boosey & Hawkes [program note] / Igor Stravinsky
- Miroirs des temps for soloists and orchestra (1999-2001, 2001), 36 mn, Boosey & Hawkes [program note] / Unsuk Chin
- Miroirs des temps alternative version, for soloists and orchestra (1999, 2001), 19 mn, Boosey & Hawkes / Unsuk Chin
- stage Modeste Moussorgski : La Khovanchtchina completed and orchestrated by Shostakovich (1958-1959), 2 h 40 mn, Le Chant du Monde / Dimitri Chostakovitch
- stage Molière oder Die Henker der Komödianten dramatic night play in 4 acts (1994-1997), 2 h, Edition Gravis / Johannes Kalitzke
- stage Momo opera in three acts (1995-1998), 2 h / Toshi Ichiyanagi
- Nach dem Sturm for two sopranos and orchestra (2015), 18 mn, Schott / Toshio Hosokawa
- stage Orphée opera in two acts for soloists and ensemble or orchestra (1993), 1 h 20 mn, Dunvagen Music Publishers / Philip Glass
- stage Paul Bunyan Operetta in 2 acts, based on the story of the American 'folkhero' Paul Bunyan (1940, 1976), 1 h 54 mn, Faber Music / Benjamin Britten
- stage Pinocchio opera for six soloists and orchestra (2017), Jobert - Lemoine / Philippe Boesmans
- Plötzlichkeit for large orchestra with three female voices (2006), 23 mn, Peters / Brian Ferneyhough
- elec stage pourquoi l’azur muet ... music by Last Space for soprano, mezzo-soprano and orchestra (2008), 30 mn, Bärenreiter / Matthias Pintscher
- stage Prélude et chant de la musique de scène de Guillaume Tell (Es lächelt der See), for mezzo-soprano, tenor, bass and orchestra (1962), 4 mn 25 s, Deutscher Verlag für Musik / Hanns Eisler
- stage Pulcinella ballet with singing in one act, music after Pergolesi (1919-1920), 40 mn, Boosey & Hawkes [program note] / Igor Stravinsky
- elec stage Pym opera (2014), 1 h 40 mn, Boosey & Hawkes / Johannes Kalitzke
- reason to believe for three solo voices and orchestra (2011), 18 mn, Schirmer / David Lang
- elec Requiem für Gulliver for orchestra, four voices and tape (1972-1973), 13 mn, Ricordi / Hans Wüthrich
- elec Satyricon one-act opera after Pétrone (1971-1973), 1 h 20 mn about , Salabert / Bruno Maderna
- Scenes from Alice in Wonderland for soprano, mezzo-soprano and orchestra (2004-2011), 40 mn, Boosey & Hawkes / Unsuk Chin
- Scenes from The Tempest for soprano, mezzo-soprano, tenor, baritone and orchestra (2005), 40 mn, Faber Music / Thomas Adès
- stage Scourge of Hyacinths opera in two acts (1994, 1999), 1 h 30 mn, Peer Music / Tania León
- Sechs Gesänge für Vokalensemble und Orchester (2022), 25 mn, Bärenreiter / Beat Furrer
- stage Sei personaggi in cerca d’autore dramaturgy after Luigi Pirandello for six voices and orchestra (2011), 20 mn, Rai Trade / Lucia Ronchetti
- Siete cantos de España for soprano, baritone and large orchestra (1994, 1991-1992), between 45 mn and 50 mn, Universal Edition / Cristóbal Halffter
- Songs from the Plays, Book I for four voices and chamber orchestra (2002), 15 mn, Inédit / Christopher Trapani
- elec stage Spes contra spem a counter-paradigm on the Twilight of the Gods in four parts and a prologue, for soloists, reciters and large Wagnerian orchestra (1986-1989), 50 mn, Ricordi / Klaus Huber
- stage St. Jago Tradition IV, 2, music and images by Kleist, for three speakers, four voices and chamber ensemble (1995, 1989-1991), 1 h 25 mn, Schott / Dieter Schnebel
- Studi per « Il Processo » di Franz Kafka for reciting voice, soprano and orchestra (1950), 20 mn, Suvini Zerboni / Bruno Maderna
- Symphonie for two female voices and symphony orchestra (2008), 30 mn / Yassen Vodenitcharov
- Symphonie n° 1 for two children's voices and symphony orchestra, in three movements (1955), 30 mn, Sikorski / Galina Ustvolskaïa
- elec Symphonie VI - Erstarrte Schatten for large orchestra, six solo voices and live electronics (2009), 35 mn, Lemoine [program note] / Brice Pauset
- Symphony "Berlin Renshi" for soprano, tenor and orchestra (1988), 42 mn, Schott / Toshi Ichiyanagi
- Symphony No.8 Indian Sounds, for voices and large orchestra (1991), 30 mn / Gloria Coates
- elec Tehillim version for voices and orchestra (1981), 30 mn, Boosey & Hawkes [program note] / Steve Reich
- Thanatos - Eros symphonic variations for large orchestra with voices (1978-1979, 1981-1982, 1984-1985), 35 mn, Schott / Dieter Schnebel
- The Adventures of Greggery Peccary transcription by Ali N. Askin for male voice, two actors, narrator and orchestra (1974), 25 mn, Munchkin Music / Frank Zappa
- stage The Fashion worldly opera in twelve scenes (2007), 1 h 30 mn, Ricordi / Giorgio Battistelli
- stage Theatre of the World grotesque stagework in nine scenes (2013-2015), 1 h 50 mn, Boosey & Hawkes / Louis Andriessen
- Thomas Chatterton opera in 2 parts after Hans Henny Jahnn (1994-1998), 1 h 40 mn, Bärenreiter / Matthias Pintscher
- Totentanz for mezzo-soprano, baritone and orchestra (2013), 35 mn, Faber Music / Thomas Adès
- Touché for soprano, tenor and orchestra (2006), 22 mn, Breitkopf & Härtel / Hanspeter Kyburz
- Un souriceau stupide music for the cartoon directed by Mikhail Tsekhanovsky, for eight solo singers and small orchestra (1939), 13 mn, Le Chant du Monde / Dimitri Chostakovitch
- stage Venus und Adonis one-act opera for singers and dancers (1993-1995), 1 h 10 mn, Schott / Hans Werner Henze
- stage Von Heute auf Morgen op. 32 one act opera (1928-1929), 53 mn, Schott / Arnold Schoenberg
- stage Waiting for the Barbarians opera in two acts (2005), 1 h 15 mn, Dunvagen Music Publishers / Philip Glass
- stage What Next? one-act opera (1997-1998), 47 mn, Boosey & Hawkes / Elliott Carter
- elec stage Where the Wild Things Are fantasy opera in one act (nine scenes) (1979-1983), 40 mn, Faber Music / Oliver Knussen
- stage White Nights opera in three acts (2005), 2 h 20 mn / Toshi Ichiyanagi