Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1906 works out of 51359
- stage Ikiru yorokobi ballet (1951) / Tōru Takemitsu
- stage Ikuta-gawa Monogatari stage work (2004) / Toshi Ichiyanagi
- stage Il Canto del Dio nascosto mini lyric opera () / Ennio Morricone
- Il libro celibe for a performer (sound and non-sound sheet movements) (1976), Inédit / Giorgio Battistelli
- elec stage Il sogno di una notte di mezza estate stage music for the play by William Shakespeare (1959) / Luciano Berio
- stage Îles désertes unfinished opera (1900-1902), Inédit / Serge Prokofiev
- Ill met by moonlight movie soundtrack (1956-1957) / Mikis Theodorakis
- Illusion Models Hypothetical computer tasks (1970) / Robert Ashley
- Im Gespinst - Geh! spinnst ? concert - hörspiel (1976) / Anestis Logothetis
- Imitation Love Improvisation game for two or three performers (1987) / Frederic Rzewski
- Impro-Micro-Acoustique (2001) [program note] / Luc Ferrari
- Impulse quantitativ, Impulse qualitativ for free instrument combination (1961), Universal Edition / Anestis Logothetis
- In Between Pieces (1963), Peters / Christian Wolff
- In C for various instruments (1964), variable, Associated Music Publishers / Terry Riley
- stage In den Haenden seiner Erben music for the play by Bertolt Brecht (1979) / Heiner Goebbels
- In the Aeolian Mode for piano prepared with one of the following three or more instruments: flute, clarinet, English horn, bassoon, vibraphone, marimba, carillons, harp, mute violin, mute viola (1973, 1976) / James Tenney
- stage In the Valley of the Nile (1999) / Halim El-Dabh
- In vain (2013), 6 mn / Sebastian Rivas
- Incantation et Sacrifice test for a two-headed harmony (1981), 9 mn, Inédit / Jean Balissat
- elec Incertitude electroacoustic music (1973) / Claire Renard
- Indianer for Morgn (1981) / Heiner Goebbels
- Indra’s Net (2020) / Meredith Monk
- Inhabited sound installation (2018) / Giulia Lorusso
- Inner readings for a free number of readers and/or musicians (2015), variable, Donemus / Dmitri Kourliandski
- Inside (), pas d'éditeur / Michael Obst
- Inside your bones performative and sound installation () / Jean-François Laporte
- Instantáneas ballet music (2003), partition retirée du catalogue / Lucas Fagin
- Insyriated movie soundtrack (2016) / Jean-Luc Fafchamps
- Ircam cursus Intarsia () / Tatiana Catanzaro
- Integration Veschidenintervalliger Zyklen for free instrument combination (1987) / Anestis Logothetis
- INTERIOR LISTENING PROTOCOL 01 a participatory listening score (2021), 8 mn about / Ash Fure
- Interludes for the Space Theater Sound producing dance (1964) / Robert Ashley
- stage Intermezzo for a play by Jean Giraudoux (1933), Inédit / Francis Poulenc
- Interpolation for free instrument combination (1961), Ricordi / Anestis Logothetis
- elec Introduction à la musique contemporaine, œuvre didactique (1956), 2 h / Francis Dhomont
- Inverse Ear (1963) / James Tenney
- Invisible Poem Sent to Terry Jennings performance (1960) / La Monte Young
- Involtura sonora for bassoon and cello (1989), 10 mn, Billaudot [program note] / José Luis Campana
- elec stage Io and Her and the Trouble with Him opera (2001), Deep Listening Publications. / Pauline Oliveros
- stage Iphigénie music for Goethe's play (1979) / Heiner Goebbels
- Island Eye Island Ear (1974) / David Tudor
- IT music for the film by Gendzi Buto (2015) / Stanislav Makovsky
- J'attendrai des siècles des années new version of Dans la rue du jeune Anacharsis (2009), 12 mn, l'Oiseau Prophète / Jacques Lenot
- stage J'ouvre la porte, qu'est-ce-que je vois ? stage music (1986) / Claire Renard
- Jalkin for saxophone quartet (2012), 10 mn, Le Chant du Monde / Ramon Lazkano
- elec Jazzhouse Kobenhavn Part 1, 2, 3 in collaboration with Grumbling Fur Time Machine Orchestra (2015) / Charlemagne Palestine
- Je courais tant de buts divers (1994) [program note] / Luc Ferrari
- Jeîta ou murmure des eaux concrete sequence in seventeen movements (1970), 40 mn / François Bayle
- Jeîta-Eole (2008), 15 mn 50 s / François Bayle
- Jenny and the Poet music for the film by George Manupelli (1964), Inédit / Robert Ashley