Works / By specific formation
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15872 works out of 51021
- Color ! for orchestra (2011), 16 mn, Lemoine / Régis Campo
- Color Coordinate(s) for ten musicians (2008-2009), 15 mn
[program note]
/ Anthony Cheung
- color on color for piano (2019), 2 mn 30 s / Mayu Hirano
- Coloratura for oboe and piano (1966), 7 mn, Peters / Brian Ferneyhough
- Colors d'arborescència for 14 instrument ensemble (2009-2010), 15 mn / Núria Giménez-Comas
- elec ircam Com que voz concert of melodies on sonnets by Luís Vaz de Camões and fados by Amália Rodrigues (2007-2008, 2009-2010), 1 h 20 mn, Suvini Zerboni
[program note]
/ Stefano Gervasoni
- Coma Dance for piano (1950) / Halim El-Dabh
- Come belve bellissime for solo piano (1985), partition retirée du catalogue / Lucia Ronchetti
- Come io passo l'estate suite for beginner pianists (1983), 9 mn 45 s, Ricordi / Niccolò Castiglioni
- Come live with me for mezzo-soprano and four instruments (1981), 15 mn, Peters
[program note]
/ James Dillon
- elec Come un lasciapassare for orchestra and electronics (2015), 10 mn, Ricordi / Daniele Ghisi
- Come unto these yellow sands after The Tempest, for voice and piano (2012), 1 mn 30 s, Faber Music / Thomas Adès
- Cometas for ensemble (2004), 11 mn 15 s, BabelScores / Lucas Fagin
- elec stage Comme je l'entends radio opera for instrumental ensemble, spoken testimonies and electronics (2010), 30 mn 40 s
[program note]
/ Benjamin Dupé
- Comme la Princesse Salomé est belle ce soir… for oboe and piano (2014-2015), 14 mn, Inédit / Alain Louvier
- elec ircam Comme le vent c'est nu c'est de l'encre for ensemble and electronics (2019), 16 mn, Suvini Zerboni
[program note]
/ Eric Maestri
- Comme un œil suspendu et poli par le songe for piano (1967), 6 mn, Lemoine / Tristan Murail
- Comme une Fantaisie dite des Réminiscences for two pianos (1989-1991), 25 mn, Salabert
[program note]
/ Luc Ferrari
- elec Comme'In Più Negre Tenebre for soprano, ensemble and electronics (1995), 12 mn, partition retirée du catalogue / Daniel D'Adamo
- Commedia for nineteen musicians (1995), 13 mn, Le Chant du Monde / Régis Campo
- Commentaar for voice and piano (1981), 60 s, Boosey & Hawkes / Louis Andriessen
- stage Commentaires musical theater for two actors, baritone, cello, piano and viola (1996), 1 h 15 mn, partition téléchargeable sur le site du compositeur / Georges Aperghis
- Commentum for cello and piano (2011), 10 mn, Universal Edition / Vykintas Baltakas
- Commiato for soprano and fifteen instrumentalists (1972), 12 mn, Suvini Zerboni / Luigi Dallapiccola
- Common Ground for piano, violin and cello (2008), 9 mn, St. Rose Music Publishing / Nico Muhly
- Common Tones in Simple Time for orchestra (1979), 22 mn, Associated Music Publishers / John Adams
- Communication – lost – found for ensemble (2006), 27 mn, Nova Vita Berlin / Sarah Nemtsov
- Communio sacred song for choir and keyboard (1967) / Nino Rota
- Como un soplo de luz y calor for piano (1999), 60 s, Emec / José María Sánchez-Verdú
- elec Como una ola de fuerza y luz for soprano, piano, orchestra and tape (1971), 30 mn, Ricordi
[program note]
/ Luigi Nono
- Compare Notes for violin and piano (2012), 9 mn 35 s, St. Rose Music Publishing / Nico Muhly
- Compass for clarinet, horn, cello and piano (2009), 11 mn / Ying Wang
- Compassion for piano (2001), 12 mn, Red Poppy / Julia Wolfe
- Complementary Forms for solo piano (1996), between 3 mn and 5 mn, The Fox Edition / Christopher Fox
- Compositio Versuche IV, for orchestra (1955-1956, 1964-1965), Schott / Dieter Schnebel
- Composition in four movements for solo piano (1955) / Franco Donatoni
- composition as explanation for flute, clarinet, piano, percussion, violin and cello (2020), 60 mn / David Lang
- Composition for Viola and Piano (1950), Peters / Milton Babbitt
- Composition n° 1 « Dona nobis pacem » in three movements, for piccolo, tuba and piano (1970-1971), 17 mn, Sikorski / Galina Ustvolskaïa
- Composition n° 2 « Dies irae » in one movement, for eight double basses, percussion and piano (1972-1973), 18 mn, Sikorski / Galina Ustvolskaïa
- Composition n° 3 « Benedictus, qui venit » in one movement, for four flutes, four bassoons and piano (1974-1975), 7 mn, Sikorski / Galina Ustvolskaïa
- Composition With Ascending Chromatic Scales In Twelve Tempos, All Beginning Simultaneously, The Piano Playing The Low Notes, The Clarinet The Middle Notes, And The Violin The High Notes (1993), 6 mn / Tom Johnson
- Composizione in tre tempi for orchestra (1954), 14 mn, Suvini Zerboni / Bruno Maderna
- Composizione n. 1 for orchestra (1948-1949), between 23 mn and 25 mn, Suvini Zerboni / Bruno Maderna
- Composizione n. 1 for piano (1957), 4 mn 30 s, Suvini Zerboni / Aldo Clementi
- Composizione n. 2 for orchestra (1950), 13 mn, Suvini Zerboni / Bruno Maderna
- Composizione per orchestra (1951), 14 mn, Ars Viva / Luigi Nono
- Compresenze Umrisse und Eingriffe, for large orchestra (1985-1987), 15 mn, Universal Edition / Wolfgang Rihm
- Comptines for children's choir, piano, percussionist and harp (2005), 10 mn, Billaudot / Marc-André Dalbavie
- Comptines for soprano, clarinet and piano (2018), 10 mn, BabelScores / Noriko Baba