Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?83 works out of 51359
- Agnus Dei cum Recordatione homage to Johannes Okeghem, for four male voices, renaissance lute and two bowed violas (1990-1991), 14 mn, Ricordi / Klaus Huber
- elec ircam stage Aliados a real-time opera (2010-2013), 1 h 10 mn / Sebastian Rivas
- An den Wassern zu Babel saßen wir und weinten for vocal quartet and ensemble (1976-1996), between 7 mn and 8 mn, Universal Edition / Arvo Pärt
- stage anatomy theater for solo voices and ensemble (2016), 1 h 15 mn, Schirmer / David Lang
- Animalie Rapsodia for reader, voices and ensemble (1992), Ricordi / Lucia Ronchetti
- Auf der Suche nach meinem Gesicht for soprano, baritone and five instruments (2006-2007), 26 mn, Doblinger / Friedrich Cerha
- Brêves du jaguar for 5 female voices, clarinet, trombone, violin and cello (2003), 12 mn, Schott / Thierry Pécou
- Brigitte F. for narrator, seven singers and nine instruments (1978), 37 mn / Hans Wüthrich
- Can Silim Tun for vocal quartet and string quartet (1999), 15 mn [program note] / Hilda Paredes
- elec ircam Cantate égale pays for solo voices, ensemble and electronics (2007-2010), 55 mn, Lemoine [program note] / Gérard Pesson
- Cantate n° 1 for six singers and ensemble (2006), 41 mn about , Lemoine [program note] / Bruno Mantovani
- Canzoni for four voices and four instruments (2014, 2004), 20 mn, Suvini Zerboni / Aureliano Cattaneo
- Castillo interior for five voices, baroque violin, theorbo, microtonal harpsichord, on two spaces (2012), 10 mn, Breitkopf & Härtel / José María Sánchez-Verdú
- Circo minore for actor, tenor, intruments and thirty puppets (2000-2001), b.o.b. (bussottioperaballet) / Sylvano Bussotti
- Circus Days and Nights for voices and small ensemble (2020), Dunvagen Music Publishers / Philip Glass
- Claudio Monteverdi, Il Combattimento di Tancredi e Clorinda arrangement for soprano, tenor, baritone and ensemble (1966), 25 mn, Universal Edition / Luciano Berio
- Contro il principio di inerzia for tenor and bass, trumpet and trombone, violin and viola (2009), 8 mn, Inédit / Giovanni Bertelli
- elec stage Die Erprobung des Petrus Hebraïcus three-act chamber musical theater (1974), 3 h, Suvini Zerboni / Henri Pousseur
- Dix-huit Madrigaux version for six voices with string trio and theorbo (1995-1996), 1 h 15 mn, Amphion [program note] / Philippe Fénelon
- stage Down by the Greenwood Side A Dramatic Pastoral (1968-1969), 30 mn, Universal Edition / Sir Harrison Birtwistle
- Drifting for four solo voices, clarinet and string quartet (2005), 5 mn [program note] / Anthony Cheung
- stage El canto quiere ser luz theatrical action for soprano, tenor, baritone, narrator, two mimes and nine instruments (1994), 30 mn, Suvini Zerboni / Alessandro Solbiati
- El Rey de Harlem imaginary theater I, for mezzo-soprano and ensemble (1979-1980), 30 mn, Schott / Hans Werner Henze
- stage Élégies scenic work after Eighteen Madrigals, for six voices, theorbo and violin, viola, cello (1995-1996), 1 h 15 mn, Durand / Philippe Fénelon
- ET LUX for vocal quartet and string quartet (2009), 60 mn, Universal Edition / Wolfgang Rihm
- Femmes second version for two female voices and quintet (1998-2001), 25 mn, Jobert [program note] / Florence Baschet
- elec Filastrocca for tenor, bass, instrumental ensemble and electronics (2002), 15 mn, Jobert [program note] / Florence Baschet
- Hamlet’s Mill dramaturgy for soprano, bass, viola and cello (2009), 20 mn, Rai Trade / Lucia Ronchetti
- Harmonie du Soir for soprano, tenor, violin, cello and double bass (2008), 7 mn, BabelScores / Hyun-Hwa Cho
- Hekabe-beta for soprano, contralto, countertenor and ensemble (2005-2011), 4 mn, édition du compositeur / Richard Barrett
- stage Herr Reinecke Fuchs music for a play by Heinrich Anton for voice(s) and ensemble (1931), Inédit / Ernst Krenek
- stage Histoire du soldat read, played and danced in two parts (1918), 35 mn, Chester Music [program note] / Igor Stravinsky
- Homme Hors Temps for soprano, tenor and ensemble (2017), BabelScores / Pedro García-Velásquez
- Ihm, eine Hymne for six voices and seven instruments (2001), 21 mn, Billaudot [program note] / Laurent Cuniot
- In Hellen stillen Zimmer five pieces for mezzo-soprano, bass, flute, violin, cello and accordion (1996), 11 mn, Editions SME/EMS / Xavier Dayer
- Je laisse à la nuit son poids d’ombre for 2 sopranos, flute, clarinet, trombone, tuba, violin, cello, percussion and synthesizer (2019-2020), 1 h 5 mn, Wandelweiser / Jürg Frey
- Kamex ch’ab for four male voices and string quartet (2010), 24 mn, University of York Music Press [program note] / Hilda Paredes
- Kantrimiusik Pastoral for voices and instruments (1973-1975), 48 mn, Universal Edition / Mauricio Kagel
- stage King Lear chamber opera for four voices, narrator, string quartet and percussion (2006-2010), 2 h, édition du compositeur / François Sarhan
- elec stage Kopernikus : Rituel de la mort opera in two acts, for seven singers, seven or eight instrumentalists and tape (1979), 1 h 10 mn, Boosey & Hawkes [program note] / Claude Vivier
- elec stage Körperliche Veränderungen musical theater piece based on the radio play by Elfriede Jelinek Ballade von drei wichtigen Männern sowie dem Personenkreis um sie herum (1990-1991), 28 mn, édition du compositeur / Olga Neuwirth
- elec ircam stage L'annonce faite à Marie opera in four acts and one prologue (2019-2022), 2 h 20 mn / Philippe Leroux
- stage L'arbre qui parle Contes nocturnes, chamber opera in five scenes (2000-2001) / Yassen Vodenitcharov
- elec ircam stage La Frontière chamber opera in four tableaux, for six singers, nine instrumentalists and live electronics (2003), 1 h 45 mn, Durand / Philippe Manoury
- La Libertad total for two actors, four singers and eight musicians (2013), between 60 mn and 1 h 30 mn, BabelScores / Lucas Fagin
- La mort du Nombre for soprano, tenor, violin and piano (1930), 12 mn, Durand / Olivier Messiaen
- stage Le Gendarme incompris lyrical comedy in one act, for three solo voices and instrumental ensemble (1920-1921), 30 mn, Salabert / Francis Poulenc
- elec stage Le procès du jeune Chien three-act chamber musical theater (1974-1978), 3 h, Suvini Zerboni / Henri Pousseur
- Le Voyage d’Urien dramaturgy for vocal and instrumental ensemble (2008), 20 mn, Rai Trade / Lucia Ronchetti
- Les Lauriers sont coupés for two voices and five instrumentalists (1975), 20 mn, Salabert / Georges Aperghis