Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?18 works out of 51359
- 45' for a Speaker (1953), 45 mn, Inédit / John Cage
- elec stage Arkhéion #1 - La voie des poètes show for voice, electronics and video, based on sound and visual archives of Cendrars, Maïakovski, Aragon, Péguy, Césaire, Genet, Gide ... (2010) [program note] / Wilfried Wendling
- stage Commentaires d'inventions for commentator (1987), 12 mn, cerise music / Marc Monnet
- Communication for narrator (1958) / John Cage
- elec Dust opera for solo voice and pre-recorded orchestra (1998), 1 h 30 mn / Robert Ashley
- elec Fancy Free or It's There for narrator and cassette players (1970) / Robert Ashley
- elec Fragments d’un bel été musical action for amplified reciter and audio support (2003), 23 mn, Inédit / Frédéric Kahn
- Freichten for spoken voice (1996), 11 mn, Wandelweiser / Jürg Frey
- für sich for a reciter (1970) / Mathias Spahlinger
- elec Ideas from 'The Church' for voice and tape (1979) / Robert Ashley
- elec ircam Les bacchantes hommage à Xenakis, for a performer, electronics and lights (2010) [program note] / Georgia Spiropoulos
- Love Is A Good Example solo voice (1994), 16 mn / Robert Ashley
- elec Muoyce No. 2 for narrator with six recordings of traffic sounds from different cities (1992), 60 mn about , autre / John Cage
- elec Mureau for narrator (s) and magnetic tapes (1970), autre / John Cage
- One12 for narrator (1992), Peters / John Cage
- Tap Dancing in the Sand for solo voice (1982), 20 mn / Robert Ashley
- Themes and Variations for a speaker (1980) / John Cage
- Time (Three Autokus) three texts for narrator (1988) / John Cage