Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?189 works out of 51359
- 33 Noms for two female voices and orchestra (2007-2008), 50 mn, Suvini Zerboni / Ivan Fedele
- 4 Haiku for female voice, bass clarinet, cello and percussions (2020), 5 mn, Suvini Zerboni / Ivan Fedele
- A Brief History of Witchcraft for flute, vibraphone, cello, piano, 2 trumpets, 5 female voices and improvising rhythm section of bass and drums (2019), 40 mn, Hips Road Edition / John Zorn
- A Photograph for female voice, clarinet, harp, and double bass (2020), 7 mn / Philip Venables
- Al ken nekaveh lecha for hazzan (high voice) and organ (ossia piano) (2021), 9 mn / Sarah Nemtsov
- Alice for male voice and piano (2018), 5 mn / Philip Venables
- Alloy for voices, chimes, conch, percussion, alumonium and long string drone (1969), 22 mn 30 s / Charlemagne Palestine
- An der Schwelle for baritone, female choir, organ and other instruments (1975), 17 mn, Boosey & Hawkes / Isang Yun
- Angst for female voice, flute, clarinet, cello and piano (2014), 13 mn 30 s / Ricardo Nillni
- Aria (Dowland) for lute, viola da gamba and female voice (2001), 6 mn, Suvini Zerboni / Aldo Clementi
- As far... for three female voices and harp (2008), BabelScores / Fernando Garnero
- elec Assange - Fragmente einer Unzeit for female voice, ensemble and sampler (2019), 20 mn, Boosey & Hawkes / Iris ter Schiphorst
- stage Aura opera for voices and instrumental ensemble (2007-2009), 1 h 10 mn about , Breitkopf & Härtel / José María Sánchez-Verdú
- elec Av Horachamin for singer and electric string quartet (1994), 12 mn / Osvaldo Golijov
- Beata viscera. Ricordi di archemoro two movements for female voice and orchestra (1991), 14 mn, Suvini Zerboni / Riccardo Nova
- elec stage Bernarda Albas Haus tanztheater (1999), 1 h 30 mn, Boosey & Hawkes / Helmut Oehring
- Bomben auf Engelland - 1 for female voice and piano (1974), 8 mn / Olivier Greif
- Brêves du jaguar for 5 female voices, clarinet, trombone, violin and cello (2003), 12 mn, Schott / Thierry Pécou
- Bridges on themes from The Crossing, for chorus, four women soloists and piano (1981) / Alvin Curran
- elec Chansons pour le corps for instrumental ensemble and singer (1988-1994), 40 mn [program note] / Luc Ferrari
- Chant d'exil for female voice, piano and cello (2018), 13 mn, XXI Music Publishing / Benoît Mernier
- elec stage Cinere (a part of Alias) music for a multimedia theatrical show () / Jacopo Baboni Schilingi
- Concerti grossi all'ara degli Ulivi - I for voice, piano and orchestra (2001), 15 mn, Rai Trade / Sylvano Bussotti
- Concerti grossi all'ara degli Ulivi - II for actor, voice, piano and orchestra (2001), 7 mn, Rai Trade / Sylvano Bussotti
- elec stage Contraintes show for 2 actresses/singers, harp and electronics, on texts by Queneau, Roubaud, Jouet and the OuLiPiens (2000) / Wilfried Wendling
- Contrées for male voice and organetto (2018), 9 mn, Éditions musicales Artchipel / Aurélien Dumont
- Das Geheimnis der Unsterblichkeit liegt in den Kernen des Granatapfels for female voice, choir and ensemble (1996-1997), 16 mn / Klaus Lang
- Der Fahrgast for female voice and viola (2018) / Ricardo Nillni
- Der Nachhausweg for female voice, cello and piano (2018) / Ricardo Nillni
- Der Weg des Prinzen I (Die sieben Boten) for female voice and ensemble (1996), 19 mn / Klaus Lang
- Der Weg des Prinzen II. martian pingus for voice and ensemble (2000), 18 mn / Klaus Lang
- der weiße pfirsich und der lallende Quell for ensemble (2001), 23 mn / Klaus Lang
- Des Todes Tod for female voice, two violas and two cellos (1922), 16 mn, Schott / Paul Hindemith
- Deux mélodies for two female voices, bass clarinet, baritone saxophone and viola (1996), 6 mn 30 s, BabelScores / Paul Méfano
- Die Tage des Fastens und die Tage der doppelten Vollkommenheit for female voice and piano (or other instrument) (1998), 60 s / Klaus Lang
- elec stage Don Giovanni’s Inferno opera in one act, for six singers, five on-stage musicians, male choir, orchestra, electronics and video (2023), 2 h 15 mn, Edition S / Simon Steen-Andersen
- Due Notturni for female voice, harp and violin (1948-1949), b.o.b. (bussottioperaballet) / Sylvano Bussotti
- Due parole (Endeared III) for four female voices and string quartet (2012), 9 mn / Eric Maestri
- Due poesie notturne for female voice, string quartet and guitar (1982), RCA Italiana / Ennio Morricone
- E caddi come corpo morto cade drammaturgia for female voice and cello (2022), 6 mn about / Lucia Ronchetti
- elec stage EFFI BRIEST musical theater-psychogram in four acts (2000), 1 h 30 mn, Boosey & Hawkes / Helmut Oehring
- stage Eight Songs for a Mad King musical theater for male voice and ensemble (1969), 30 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- Eines Tages alltäglich for female voice and ensemble (2020), 16 mn, Peters / Elena Mendoza
- En litten svensk rapsodi for female voice, bass clarinet and piano (1993), 5 mn, Suvini Zerboni / Aldo Clementi
- elec stage Euridice chamber opera for voices, choir, dancers, seven instruments and electronics (2001-2002), Boosey & Hawkes / Iris ter Schiphorst
- Expansion for spoken male voice, flute (and soprano saxophone) and piano (1998), 10 mn / Chiyoko Szlavnics
- Faces and Moon Splinters for female voice and quintet (2005), 7 mn 20 s, BabelScores / Malin Bång
- elec Fado errático for female voice, ensemble and electronics (2007-2015), 1 h 5 mn about , Suvini Zerboni / Stefano Gervasoni
- Farbe der Vokale for female voice, clarinet and piano (2019), 10 mn about , Suvini Zerboni / Malika Kishino
- elec flatrate for large ensemble, voices and sampler (2011), between 6 mn and 10 mn, BabelScores / Malte Giesen