26 mars 2025

26 mars 2025

26 mars 2025

26 mars 2025

26 mars 2025

DAFNE+ offre aux créateurs de contenus numériques de nouveaux moyens de créer, distribuer et monétiser leurs œuvres d'art grâce aux technologies blockchain. Cette présentation, donnée lors des ateliers du Forum IRCAM @Paris 2025, présente l

26 mars 2025

Presentation of the currently developed version (3) of the R-IoT wireless IMU sensor, designed for live performance, research and digital lutherie The R-IoT wireless sensor platform is a small electronic board embedding 3D, 9-axis motion s

26 mars 2025

26 mars 2025

26 mars 2025

We will present new features of the MuBu for Max framework for multimodal analysis of sound and motion, interactive sound synthesis and machine learning, the CataRT and SKataRT corpus-based synthesis tools for Max and Ableton Live, the Gest

26 mars 2025

You will discover some of the key new features of Partiels, such as OSC support, navigation and editing modes, extra results, analysis plug-ins based on neural networks, etc... The ASAP plug-in collection arrives with major new versions of

26 mars 2025

The land sound artwork *Promenade Sonore : Vent, Soleil, Pluie* is a sonic promenade in three parts, imagined and composed by sound artist Nadine Schütz for the public space that is the Pleyel footbridge. Three sculptural sound-generating

26 mars 2025

What if we could stream immersive virtual events in which audio objects coincide spatially with displayed visuals, or music and soundtracks amenable to artifact-free instrument or language substitution, or to spectator 6-DoF navigation? We

27 mars 2025

*Public Intimacy* is a motion- and site-specific sonic experience that reimagines the relationship between sound, space, and human presence through binaural techniques. *Public Intimacy* explores how collective intimacies emerge within publ

27 mars 2025

This presentation looks back on more than four years of experience in composition, performance, research, analysis and teaching with the Karlax digital musical instrument (DMI). The Karlax is a two-handed interface whose main sensors are te

27 mars 2025

GranShaper project introduces a new method of sound synthesis, combining the principles of granular synthesis and waveshaping, together creating a range of synergistic effects, likely previously unknown. In particular, these include a ‘gran

27 mars 2025

Runtime code generation for efficiently evaluating the EaganMatrix. Advanced sound engines with complex synthesis algorithms require low-latency sample generation to keep up with real-time synthesis. Microprocessors such as Analog Devices’

27 mars 2025

*rosebud* exemplifies an approach to hybrid composition methodologies. As a transdisciplinary composition between dance and music for dancer, sensors and live-electronics, existing as both a live performance and a video clip, it navigates b

27 mars 2025

Rodrigo Cadiz presents a device that implements a ring modulator intended to recreate historical analog audio. Drawing inspiration from historical realizations of ring modulation, he experimented with the most common methods described in th

27 mars 2025

This presentation introduces « bellplay~ », an open-source software and framework for offline algorithmic audio, developed in Max/MSP within the bach ecosystem. bellplay~ allows users to manipulate audio using scripts written in the bell pr

27 mars 2025

*Unknowable Certainty* is an immersive audiovisual performance showing the experience of being caught in the past–searching for a numerical value that might explain the moments leading up to a present confrontation with the “end”–as if to b

27 mars 2025

In this short presentation, we will introduce the latest software developments from the EAC Research Team (Acoustics & Cognition). In particular, we will introduce the latest releases of the Spat5 package for Max, and the Panoramix standalo

27 mars 2025

The “falling sand” genre of games provide a unique “sandbox” experience to players, encouraging curiosity and creativity. Players experiment with a variety of powdered elements which are subjected to a detailed physics system and may react

28 mars 2025

28 mars 2025

Decorrelated Spatial Synthesis involves the addition of classical synthesizer parts to spatial coordinates, and establishes a correlation between synthesis parameters and spatial positions. For each polyphony voice, each section of the synt

28 mars 2025

At its core, Telematic Theater features the Audio-Visual Panner, a spatialization tool that synchronizes 3D performer positioning in spherical environments with 3D ambisonic and binaural sound. This correlation between sound, image, movemen

28 mars 2025

28 mars 2025

Process - Sound Collection and Training Using sound data from 2023 to 2024 registered by NanFormosa, it is placed in the Memory Creator for analysis, with Nana performing improvisational interactions. Additionally, a MIDI controller is use

28 mars 2025

sinusoidal run rhythm is created by the addition of in-phase cosine functions in integer ratios. Their maxima are temporally and dynamically shifted in relation to corresponding notated rhythms and exhibit a physicality that is not present

28 mars 2025

We present Latent Terrain, an algorithmic approach to dissecting the latent space of a neural audio autoencoder into a two-dimensional plane. Latent Terrain questions the conventional paradigms of dimensionality reduction in creative intera

28 mars 2025

« Here's the Information We Collect » is a multi-channel interactive video installation tailored to respond to selected privacy policy on major social media platforms. The audience members are invited to engage with the work by speaking int

28 mars 2025