June 2, 2012 16 min

Abstract: Un des aspects les plus prospectifs de la relation instrument/machine réside dans le développement des moyens d’analyse acoustique des sons instrumentaux et vocaux en temps réel que l’on appelle descripteurs audio. Le nombre de ce

June 2, 2012 56 min

Abstract: This talk introduces a new music interaction system based on style modeling, in a MIR-oriented perspective called VirtualBand. VirtualBand aims at combining musical realism and quality with real-time interaction, by capturing esse

June 2, 2012 54 min

June 2, 2012 44 min

Abstract: Interactive Improvisation Systems involve at least three cooperating and concurrent expert agents: machine listening, machine learning, model based generation. Machine listening may occur during the initial learning stage (off-lin

June 2, 2012 59 min

Abstract: Over the past years, music information research has elaborated powerful tools for creating a new generation of applications that redefine the boundaries of music listening and music making. The recent availability of affordable mo

June 2, 2012 28 min

Abstract: For the past 60 years, machines have been involved in all aspects of music: playing, recording, processing, editing, mixing, composing, analyzing, and synthesizing. However, in software terms, music is nothing but a sequence of nu

June 2, 2012 59 min

Abstract: The wealth of tools developed in music information retrieval (MIR) for the description, indexation, and retrieval of music and sound can be easily (ab)used for the creation of new musical material and sound design. Based on automa

June 2, 2012 44 min

Abstract: Although MIR did arguably not start as a research discipline for promoting creativity and music performance, this trend has begun to gain importance in recent years. The possibilities of MIR for supporting musical creation and mus

June 2, 2012 57 min