From the same archive

Mauro Lanza : I funerali dell'anarchico Passannante - Mauro Lanza

November 24, 2005 01 h 15 min

Joshua Fineberg : Lolita - Joshua Fineberg

December 8, 2005 01 h 18 min

Présentation de l'utilisation de la composition assistée par ordinateur (CAO) dans l'œuvre Mare de Mauro Lanza

January 20, 2005 01 h 16 min

Présentation de l'objet "maquette" dans Openmusic

February 10, 2005 01 h 15 min

Travail de composition dans Le songe de Médée. Première partie

April 7, 2005 51 min

Travail de composition dans Le songe de Médée. Deuxième partie

April 7, 2005 48 min

Etymo pour soprano, orchestre de chambre et électronique - Benoit Meudic, Luca Francesconi

January 25, 2007 01 h 16 min

Quatrième quatuor à cordes avec électronique de Jonathan Harvey

April 21, 2005 17 min

Quasikristall, pour seize instruments et électronique

January 26, 2006 01 h 09 min

Quasikristall, pour seize instruments et électronique

January 26, 2006 18 min

Présentation d’une pièce pour voix, ensemble de 20 instruments et électronique - Philipp Maintz, Robin Meier Wiratunga

October 1, 2007 52 min

Stèles d'air, pièce pour ensemble de 20 instruments et électronique - Jérôme Combier, Benoit Meudic

November 19, 2007 01 h 13 min

Autour de ...of Silence pour saxophone et électronique de chambre : de l’écriture de l’espace à celle du temps et de l’interaction - Marco Stroppa, Arshia Cont

December 10, 2007 01 h 10 min

Caprices 1 et 2, pour violon et électronique - Caprices 3 et 4, pour clarinette basse et électronique - Manuel Poletti, Luis Naón

January 14, 2008 01 h 06 min

Applying Somatic Techniques to User eXperience in digital art and HCI

0:00/0:00

Human movement has historically been approached as a functional component of interaction within HCI. This design approach reflects the task-oriented focus of early HCI research, which was preoccupied with ergonomics and efficiency. Yet movement is not solely functional, it is also highly experiential. As embodied organisms, movement is our primary means of accessing the world outside ourselves. It is the first language we learn and is integral to the formation of our cognitive and linguistic abilities, and is responsible for our “being in the world”. While human movement is ubiquitously present in all forms of technology interaction, movement expertise is often absent in the design of technology. In our work, we explore how movement expertise, as articulated in somatic techniques such as Laban Movement Analysis (LMA), can shape an interdisciplinary inquiry leading to the design and application of more richly articulated human movement knowledge within digital art and technology interaction.

In this seminar, we will present our ongoing research, illustrate it through three art works, Bodymaps, whisper[s], and soft(n), and summarize the emerging perspectives of the MovingStories research project (http://movingstories.ca/).

speakers

information

Type
Autre conférence
performance location
Ircam, Salle Igor-Stravinsky (Paris)
duration
01 h 10 min
date
November 4, 2013

IRCAM

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