information

Type
Séminaire / Conférence
duration
14 min
date
October 8, 2015
program note
TCPM 2015

speakers

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Metaphors of Creative Practice: Navigating Roots and Foliage in Southern Vietnamese Traditional Music - Alexander Cannon

Traditional music in southern Vietnam does not sit idly on the sidelines of cosmopolitanism, globalization, and modernity. Musicians travel from Long Xuyên to Hồ Chí Minh City and then fly to Bangkok, Dubai, and Seattle, interacting with a

October 8, 2015 27 min

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Jesper Nordin’s Sculpting the Air (2014-5): An Experiment in Technologically-Augmented Orchestra Conducting - Baptiste Bacot, François-Xavier Féron

October 8, 2015 33 min

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Investigating performative approaches through the analysis of ‘Performing Scores’: Cathy Berberian sings Circles - Giovanni Cestino

In the rich landscape of studies about performance as a creative process, the investigation of such preliminary phases that go before the performance itself (i.e. the study process or the rehearsal practice) presented themselves like a more

October 8, 2015 30 min

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Versions, Variants, and the performatives of the score: Traces of performances in the texts of Anton Webern’s Music - Thomas Ahrend

Most research on the creative process of Anton Webern’s music has focused on the sketches, thus emphasizing the compositional process in the narrower sense. Less attention has been paid to the fact that especially for most of the works comp

October 8, 2015 31 min

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Modes of collision: Alberto Favara in the process of transcribing Sicilian folk songs - Francesco Del Bravo

The analysis of creative process in music through written sources intertwines often with hermeneutics [Kinderman 2009], in a way not dissimilar from philological studies, whose basic purpose ―although many attempts to delimit or to unbind i

October 8, 2015 28 min

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Ligeti and Romanian folklore: Citation, palimpsest and pastiche as creative tools - Bianca Temes

The paper aims to gain fresh perspectives and to challenge standard thinking on Ligeti’s appropriation of Romanian folk music, drawing on very recent findings at the Sacher archives. By absorbing Romanian folk music in various ways during t

October 8, 2015 24 min

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The genesis of Beethoven’s Piano Sonata Op. 101: ‘Lost sketches’ and ‘Working autograph’ - Federica Rovelli

The researcher who desires to reconstruct the genesis of a particular work of Beethoven often bumps into the problem of the lack of correspondent sketches or drafts. Several examples – such as the op. 27, no. 2 piano sonata (first and secon

October 8, 2015 30 min

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Créativité et design sonore : étude de cas - Andrea Cera, Sébastien Gaxie, Nicolas Misdariis

Le design sonore est un champ du design relativement récent qui consiste principalement à prendre en compte la dimension sonore d’un objet au cours de son processus de conception – le terme objet pouvant être pris au sens d’objet tangibl

October 8, 2015 29 min

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Creativity and Sound Design: A Case Study - Andrea Cera, Sébastien Gaxie, Nicolas Misdariis

October 8, 2015 29 min

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Performer’s Gesture and Compositional Process in Xenakis’ Solo Pieces - Anne-Sylvie Barthel-Calvet

Simultaneous translation: Marie-Louise Diomède

October 8, 2015 28 min

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La place du geste de l’interprète dans le processus compositionnel : le cas des œuvres solistiques de Xenakis - Anne-Sylvie Barthel-Calvet

Dans cette communication, je me propose de croiser deux problématiques, celle des relations compositeur-interprète dans le processus compositionnel, relations dans lesquelles le positionnement de Xenakis s’avère assez particulier par rappor

October 8, 2015 28 min

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Sculpting the Air (2014-15) de Jesper Nordin : l’expérimentation d’une direction d’orchestre techno-augmentée - Baptiste Bacot, François-Xavier Féron

Exformation Trilogy est un cycle de trois pièces mixtes que le compositeur suédois Jesper Nordin projette de composer entre 2014 et 2017 en utilisant Gestrument, une interface de contrôle gestuel qu’il a lui-même développée. Sculpting the A

October 8, 2015 33 min

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Opening address (EN) - Nicolas Donin, Hyacinthe Ravet, Jean-François Trubert

Simultaneous translation: Marie-Louise Diomède

October 8, 2015 14 min

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Sounding Bodies: Embodiment and Gesture in the Collaborative Creation and Realisation of works for Piano and Electronics - Zubin Kanga

This paper examines works for piano and electronics that use technology to expand and subvert the body and pianistic technique of the pianist. It draws upon the fledgling research field of auto-ethnographic examination of composer-performer

October 8, 2015 28 min

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No score, hundreds of sketches: Mario Bertoncini’s Spazio-Tempo - Valentina Bertolani

In the last decades, sketch studies and musical philology have been expanding their object of study to include non-conventional notation and alternative supports for the diffusion of the work of art, such as tapes or pieces of code (e. g. H

October 8, 2015 25 min

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Creativity within Formal Structures: Two American Indian Song Repertories - Tara Browner

In traditional First Nations musical expression, the formal structures of music often hold both spiritual and political meanings beyond the songs themselves. As frameworks for composition most often referred to as “song making” these forms

October 8, 2015 29 min

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La pratique de la direction d’orchestre au prisme du genre - Claire Gibault, Dominique My, Hyacinthe Ravet

October 8, 2015 01 h 48 min

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'Feeling New Strength': Beethoven's Ninth Symphony and Quartet in A Minor, Op. 132 - William Kinderman

One landmark in the reception history of Beethoven’s Ninth Symphony is Thomas Mann’s novel Doktor Faustus, in which Mann places his fictional composer Adrian Leverkühn into the role of the Faustian figure. Leverkühn’s culminating work is

October 8, 2015 29 min

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Gender and the Practice of Conducting

On the occasion of the publication of "L’orchestre au travail. Interactions, négociations, coopérations" (Ravet, 2015) which is based on the observation of several conductors and several ensembles in the process of constructing a musical pe

October 8, 2015 01 h 49 min

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What is it to analyse the creative process in music? - Georgina Born

October 8, 2015 01 h 12 min

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Qu’est-ce qu’analyser les processus de création musicale ? - Georgina Born

Traduction simultanée : Marie-Louise Diomède

October 8, 2015 01 h 12 min

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