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Deep Learning for Voice processing - Nicolas Obin, Axel Roebel, Yann Teytaut

March 19, 2021 32 min

Tools for creative AI and noise - Philippe Esling

March 19, 2021 20 min

Xtextures - Convolutional neural networks for texture synthesis and cross synthesis - Axel Roebel

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Round Table IA : Questions/discussions

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Melodic Scale and Virtual Choir, Max ISiS - Grégory Beller

March 19, 2021 26 min

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March 19, 2021 20 min

Session IA - An overview of AI for Music and Audio Generation - Doug Eck

March 19, 2021 47 min

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March 19, 2021 21 min

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Nouveautés AudioSculpt 2.7 et SuperVP 2.91 - Xavier Rodet, Alain Lithaud, Niels Bogaards, Axel Roebel

November 29, 2006 01 h 07 min

Nouveautes OpenMusic - Gérard Assayag, Jean Bresson, Carlos Amado Agon, Karim Haddad

November 29, 2006 59 min

Point sur le Spatialisateur - Olivier Warusfel, Rémy Muller, Terence Caulkins

November 29, 2006 12 min

Nouveautés Modalys - Joël Bensoam, Nicholas Ellis, Jean Lochard

November 29, 2006 50 min

Mlys - une interface de contrôle de Modalys dans Max/MSP - Manuel Poletti

November 29, 2006 47 min

Accueil - Andrew Gerzso

November 29, 2006 18 min

Développements récents de l'équipe applications temps réel - Diemo Schwarz, Riccardo Borghesi, Norbert Schnell

November 29, 2006 51 min

Towards helpful, customer-specific Text-To-Speech synthesis

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The subject of automatic speech synthesis began to be popularised as early as the 1990s. Each of us has already had to deal with automatic answering machine voices that made us all suffer in the beginning. Today, however, the progress made both in terms of language comprehension and the acoustic quality of speech synthesis approaches have helped us make giant leaps forward, and new vocal services are currently seeing their quality and capabilities improve significantly with increasingly more human-sounding and expressive voices.In this presentation, I will briefly review recent advances in speech synthesis. After this introduction, I will discuss topics related to the customization of synthetic voices to the customer's needs; and this on several levels. First, at the level of the main components of oral expression: language, speech style, language register and gender for example. Then, I will address issues at the level of the utterance; prosodic for the most part (pitch and flow manipulation). Finally, I will finish by discussing the subsidiary elements to be taken into consideration in order to best meet the needs of customers and end-users of synthetic voices in our constantly changing world.

speakers

information

Type
Ensemble de conférences, symposium, congrès
performance location
Ircam, Salle Igor-Stravinsky (Paris)
duration
29 min
date
March 19, 2021

IRCAM

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75004 Paris
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Closed Saturday and Sunday

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Institut de Recherche et de Coordination Acoustique/Musique

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