Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?311 works out of 51359
- elec ircam Concertation sound and mobile installation, on sculptures by Thanassis Totsikas, for four voices, percussions, keyboard and electronics (1997), 20 mn, Lemoine [program note] / Michaël Levinas
- CRWTH for flute, clarinet, percussion, piano, voice, violin, viola and cello (2006), 9 mn, édition du compositeur / François Sarhan
- Damdaj for nine improvising musicians (2009), 45 mn, Ricordi / Vinko Globokar
- Dark Brother for voice, chromelodeon, adapted viola and kithara (1942-1943), 8 mn / Harry Partch
- Das Eisenbahnspiel for children's choir, soloists, two violins (or piano) (1930), Bote & Bock / Paul Dessau
- Der Graben for voice, clarinet, alto saxophone, trumpet, trombone, guitar, percussion, piano and double bass (1959), 3 mn 50 s, Deutscher Verlag für Musik / Hanns Eisler
- stage Der Mann im Fahrstuhl musical theater (1987), 1 h 15 mn / Heiner Goebbels
- Der mündliche Verrat A musical epic on the Devil, Radio play arrangement (1981-1983), 1 h 18 mn, Peters / Mauricio Kagel
- Der Nachhausweg for female voice, cello and piano (2018) / Ricardo Nillni
- Der Pflaumenbaum for voice, tenor saxophone, synthesizer and harpsichord (1981), 1 mn 38 s / Heiner Goebbels
- Der Weg des Prinzen I (Die sieben Boten) for female voice and ensemble (1996), 19 mn / Klaus Lang
- Deux Haïkus dans l'Ombre for voice and ensemble (2009), 10 mn / Valerio Sannicandro
- Die Aussicht for voice, clarinet, viola and six percussionists (1985, 2003), 13 mn, Suvini Zerboni / Stefano Gervasoni
- Die den Mund aufhatten for solo voice, two clarinets, viola and cello (1937), 2 mn 45 s, Deutscher Verlag für Musik / Hanns Eisler
- Die Gesichte vom Kaukasischen Kreidekreis für Schulen eingerichtet for voice, string quartet and congas (1971), Inédit / Paul Dessau
- Die römische Kantate for voice, two clarinets, viola and cello (1935), 7 mn, Universal Edition / Hanns Eisler
- elec Die Sprache der Jongleure nebst einer Introduktion mit Barpiano-Accompaniment, for voice, ensemble and live electronics (2007-2008), 32 mn, Inédit / Martin Grütter
- elec stage Die Taktik opera for four voices, choir, three dancers, trombone, percussion, piano, violin, viola, cello and electronics (2012), 1 h 60 s / Jennifer Walshe
- Die Vögel warten im Winter vor dem Fenster for voice, saxophone and piano (1981), 3 mn / Heiner Goebbels
- Die Weißbrot-Kantate for solo voice, two clarinets, viola and cello (1937), 6 mn 40 s, Deutscher Verlag für Musik / Hanns Eisler
- Die Zuchthaus-Kantate for solo voice, two clarinets, viola and cello (1937), 4 mn 5 s, Deutscher Verlag für Musik / Hanns Eisler
- Dissections de l’italien Mondino for voice, accordion and cymbalom (2017), 12 mn / Mathieu Bonilla
- Divagazione nuda for voice, oboe and accordion (2009), 4 mn 30 s / Vittorio Montalti
- Do You Be for ten voices, two pianos, synthesizer, violin and bagpipe (1987) / Meredith Monk
- Do you Know how it Sounds? for a voice, piano and tabla (1983) / Terry Riley
- dolce… pianto for voice, viola and microtonal keyboard (2014), 4 mn, The Fox Edition / Christopher Fox
- Dolmen Music for six voices, percussion and cello (1979) / Meredith Monk
- Dolmen Music for six voices, piano, violin, cello and percussion (1980) / Meredith Monk
- Dowland' Songs for voice and small ensemble (1986), Inédit / Philippe Boesmans
- Drei Mahler Lieder for voice and string quartet (2016), 12 mn, BabelScores / Paul Méfano
- Drei Stücke für Streichquartett for string quartet and voice (1913), 4 mn, Universal Edition / Anton Webern
- Due arie notturne dal campo by Alessandro Scarlatti, arranged for voice and string quartet (2001), 7 mn, Ricordi / Salvatore Sciarrino
- DW 16.3 'Songbook 1.3' for voice, saxophone, electric guitar, synthesizer and drums (2020), 35 mn / Bernhard Lang
- DW 16.4 'Songbook 1' for voice, saxophone, electric guitar, piano and percussion (2021) / Bernhard Lang
- DW16 Songbook I for voice, saxophone, keyboard and percussion (2005), 35 mn about , Inédit / Bernhard Lang
- Eastern Man for one voice and two synthesizers (1980) / Terry Riley
- elec Eine Art Chansons for a chansonnier (amplified medium voice), percussionist, piano and double bass (1985-1987), 56 mn, Universal Edition / Friedrich Cerha
- Eines Tages alltäglich for female voice and ensemble (2020), 16 mn, Peters / Elena Mendoza
- elec Element, Being and Primeval for tape and ensemble (2002) / Halim El-Dabh
- Elemental Gallop for voice, flute, piano and cello (2000), Deep Listening Publications. / Pauline Oliveros
- Elle disait… for voice, string trio, clarinet and piano (2008), 2 mn 30 s / Thierry Escaich
- elec Elles for voice, flute, clarinet, piano, string quartet and fixed sounds, music for a choreography by Louise Bédard (2002), Inédit / Ana Lara
- Embroidery for one voice and two synthesizers or one voice, piano, synthesizer, sitar, tabla and soprano saxophone. (1980) / Terry Riley
- Ernst-Busch-Musik for voice, trumpet, trombone, two percussionists, electric guitar, cello and piano (2021), 25 mn, Edition Juliane Klein / Gordon Kampe
- Es lebt eine Gräfin in schwedischem Land for voice, bass clarinet and harpsichord (1981), 2 mn / Heiner Goebbels
- Es wird sich zeigen for three voices, percussion and string quartet (1998), 60 mn, Thürmchen Verlag / Carola Bauckholt
- elec Europera 3 for six singers, two pianos, six victrola players (1990), 1 h 10 mn, Peters / John Cage
- elec EVERYTHING IS IMPORTANT for voice, string quartet and film (sound) (2016), 41 mn / Jennifer Walshe
- Fifty-Fifty Chance arrangement of the song by Suzanne Vega (1990), 2 mn 30 s, Dunvagen Music Publishers / Philip Glass
- Filtrage n° 1 for voice, flute, clarinet, percussion, violin and cello (2010), 5 mn / Vittorio Montalti