Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?3990 works out of 51359
- The Empire of Form computer-animated film music (1987) / Javier Alvarez
- elec The Exception and the Rule for 2-track tape (1965) / Pauline Oliveros
- elec The Expression of Zaar (1944) / Halim El-Dabh
- elec stage The Fall of the House of Usher / La caída de la Casa Usher music for the play by Edgar Allan Poe (1977) / Mario Lavista
- elec The Fires in the Minds of the Dancers for eight moving sounds broadcast in quadraphonic (1974) / Alvin Lucier
- elec The Flaming Indian for tape recorder and microphone (1971) / Pauline Oliveros
- elec The Flesh of Experience multimedia installation (1992), 55 mn about , Inédit / Richard Barrett
- The Four Freedoms: No. 1, Pericles with Louis MacNeice (1942), Inédit / Benjamin Britten
- elec The Fourth of July for magnetic tape (1960), 19 mn about / Robert Ashley
- elec The Fuck Facebook Face Orchestra for 4 performers and electronics (2015) [program note] / Daniel Zea Gómez
- elec stage The Ghost Sonata incidental music for Strindberg's play The Ghost Sonata (1981), 22 mn 32 s, Swedish Music Information Center / Anders Hillborg
- elec The Gilf stage music (1963) / Terry Riley
- elec The Giveaway tape music, composed for the film Pass by Mikael Södersten (1990), 6 mn, édition du compositeur / Anders Hillborg
- elec The Happiness Machine music for the film The Happiness Machine, produced in collaboration with Ana Nedeljković (2019) / Hanna Hartman
- The Heiress music for the film by William Wyler, based on Washington Square by Henry James (1948-1949), Inédit / Aaron Copland
- elec The Hot Dogs electroacoustic piece (2008) / Hanna Hartman
- elec THE HUMAN PROVINCE / DIE PROVINZ DES MENSCHEN (54/27) video and sound sculpture (2016), 21 mn / Heiner Goebbels
- elec The Image Machine for electronics (2005), 25 mn / Roger Reynolds
- elec The Indefinite Integral of Psi Star Psi d Tau = One multimedia piece (1969) / Pauline Oliveros
- The Inland Sea music for the film by Lucille Carra (1991) / Tōru Takemitsu
- elec The Innocents electronic music for the film The Innocents (1961) / Daphne Oram
- elec stage The Innocents, after “Another Turn of the Screw” by Henry James music for the play by William Archibald (1977) / Mario Lavista
- elec the insect class electronic music (1994, 1996), 23 mn 47 s, Inédit / Richard Barrett
- elec The Ivanov Suite for electronics (1991), 32 mn 20 s, Peters / Roger Reynolds
- elec The Keys to the Kingdom generative musical installation (2019) / Olivier Pasquet
- elec The Keys to the Kingdom II generative musical installation (2019) / Olivier Pasquet
- elec The Keys to the Kingdom III generative musical installation (2020) / Olivier Pasquet
- elec The Keys to the Kingdom IV generative musical installation (2022) / Olivier Pasquet
- The King's Stamp movie soundtrack (1935), Inédit / Benjamin Britten
- elec The Last Water Cycle acousmatic piece (2019) / Sofia Avramidou
- elec The Lecture Series (aka “Joyroad Interchange”) electronic music theater (1964) / Robert Ashley
- The Long Rain music for the film by Michael Kreihsl, based on Ray Bradbury (2000), 47 mn / Olga Neuwirth
- elec The Love Letters? for two performers, two computers, video and live electronics (2018) / Daniel Zea Gómez
- The Man Born to be King radio drama by Dorothy L. Sayers (1942), Inédit / Benjamin Britten
- elec ircam Ircam cursus The Moth for turntables and electronics (2020), 7 mn 40 s [program note] / Fernando Manassero
- elec The Movement of the Mass (2009), 7 mn 15 s / Ofer Pelz
- elec The Mystery of Picasso electronic music for a ciné-concert of Henri-Georges Clouzot's film Le Mystère de Picasso (2016), 1 h 10 mn / Olivier Pasquet
- The New Operator movie soundtrack (1935), Inédit / Benjamin Britten
- The North Star music from the film by Lewis Milestone, based on Lillian Hellman (1943), Inédit / Aaron Copland
- elec The Nothing Seeking Answers Indivisible Streams sound installation (2016) / Olivier Pasquet
- elec The Ocean (avec Desmond Briscoe) for fixed sounds (1958), 1 mn 6 s / Daphne Oram
- elec The Origin of Flux acousmatic music (2013), 7 mn / Mei-Fang Lin
- elec The Panama Files for electroacoustic sounds (1986), 4 mn, Inédit / Javier Alvarez
- elec the place we began four electroacoustic soundscapes (2008), 39 mn, Taiga Press / John Luther Adams
- elec The Place Where You Go to Listen a continuous sound and light environment at the University of Alaska, Fairbanks Museum of the North (2004-2006), Taiga Press / John Luther Adams
- elec the planck universe [macro] (2014-2015) / Ryoji Ikeda
- elec the planck universe [micro] (2014-2015) / Ryoji Ikeda
- elec The Plastic Haircut music for the film by Robert Nelson, for tape (1963), Inédit / Steve Reich
- elec ircam stage The Pyre play in three parts, conception, direction, choreography and set design by Gisèle Vienne (2013) / KTL Stephen O’Malley et Peter Rehberg
- elec the radar site-specific installation (2012) / Ryoji Ikeda