Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?3990 works out of 51359
- elec Installations Wu Xing Audiovisual installation for loud speakers and video projection (2007), 12 mn / Oliver Schneller
- elec Instances of Silence for an unspecified number of tape recorders with recordings of sounds from the environment (1982), Inédit / John Cage
- elec Instant attentif electroacoustic piece (1981), 13 mn / James Giroudon
- elec stage Instantané-Simultané small cosmogony danced by Maguy Marin and his group (1977), pas d'éditeur / Pierre Henry
- elec ircam Instants d'Il y a sound installation after Il y a (2007-2008), between 7 mn and 60 mn [program note] / Jacques Lenot
- elec Inter Actualités theme tune for France Inter (1960-1965), 28 s / Bernard Parmegiani
- elec Inter-Actions musical sequences for dance (1975), 1 h 50 mn / Bernard Parmegiani
- elec Intercession acousmatic music (1982), 16 mn, Billaudot / Philippe Leroux
- elec stage Interdit au moins de 16 ans music for a poetic and musical show designed with Jean-Pierre Balpe and Jean-Blaise Evéquoz (2006) / Jacopo Baboni Schilingi
- elec Interference for two-channel tape and video (2010), 4 mn 20 s / Aurélio Edler-Copes
- elec Intérieur/Extérieur (1996), pas d'éditeur / Pierre Henry
- elec Interior Landscapes II A for sine waves (2010), 45 mn / Chiyoko Szlavnics
- elec Interior Landscapes II B for sine waves (2010), 45 mn / Chiyoko Szlavnics
- elec Interludes 1 and 2 for Xylocopa Violacea, for tape (2008-2009), 17 mn / Lucia Ronchetti
- elec Intermittences for recorded sounds (2022), 9 mn 45 s, Inédit / François-Bernard Mâche
- elec Internal Landscape acousmatic music (2000), 7 mn 56 s / Mei-Fang Lin
- elec Interrvallissphereee Extracted Opening for synthesizer (2018), 25 mn / Charlemagne Palestine
- elec Interrvallissphereee Of And Ti Finale for synthesizer (2018), 25 mn / Charlemagne Palestine
- Intersection for Magnetic Tape for eight-track magnetic tape (1953), Peters / Morton Feldman
- elec Intersections electronic piece (1970), 10 mn 10 s / Paul Méfano
- elec Intersticios - 3,99 acousmatic music for the film Plus Tard by Éric Oriot (2013) / Violeta Cruz
- elec Intertel electronic music for advertising (1966), 1 mn 20 s / Daphne Oram
- elec Introduction electronic music (1959-1977), 3 mn 33 s / Daphne Oram
- elec Introïtus for tape (1986), 8 mn 29 s, Inédit / Heinz Holliger
- elec intruder electronic music (1992), 55 mn, Inédit / Richard Barrett
- elec Invasion electronic music for the play Invasion (1958), 5 mn 4 s / Daphne Oram
- elec Inventions for tape (1994-1995), 10 mn / François Bayle
- elec Inventions Puce Muse immersive concert, octophony and images generated in real time (2005), 10 mn / François Bayle
- elec Invernales for electronics (2003), 10 mn / Marisol Jiménez
- elec Inversion-3: Speaking Surfaces acousmatic piece for ambisonics, multichannel, beam-forming speaker (2021), 20 mn / Natasha Barrett
- elec Investigations 15 forms of sound void to accompany Degottex's exhibition: 'Les Alliances' (1959), 34 mn, pas d'éditeur / Pierre Henry
- elec Investigations 2 (2008), 41 mn, pas d'éditeur / Pierre Henry
- elec Invisible Irène for computer-generated synthesis sounds fixed on a two-track medium (1995), 12 mn, édition du compositeur [program note] / Jean-Claude Risset
- elec ircam Invisible Line sound design for an interactive web installation (2009) / Andrea Cera
- elec Invitation au voyage for tape, composed with Thomas Seelig (2008) / Lucia Ronchetti
- elec Invitations aux écoutes music for documentary film (2003), 50 mn / Michel Redolfi
- elec Involuntary Expression (2017), 17 mn / Natasha Barrett
- elec Involuntary I electronic music (1999), 1 mn 13 s, United Music Publishers / Richard Barrett
- elec Involuntary II music for the film Entrance by Rosie Pedlow (2002), 3 mn, United Music Publishers / Richard Barrett
- elec Involuntary III electronic music (1999), 4 mn 33 s, United Music Publishers / Richard Barrett
- elec Involve for tape (2000), 4 mn 45 s, Inédit / Oscar Bianchi
- elec IO 5.1 channel installation, four tracks for art objects by Curtis Anderson (2006), 24 mn / Oliver Schneller
- elec Ipnosi for electronics (2014), 10 mn / Adrien Trybucki
- elec Ippolito after Euripides, stage music (1956) / Bruno Maderna
- elec Ipso facto 7-channel electroacoustic work (2007), 9 mn 34 s / Clara Maïda
- elec Ipso Lotto 6-channel electroacoustic work (2017), 8 mn 5 s / Clara Maïda
- IRMA music for the multimedia show by Jean-Marc Matos (1995), édition du compositeur / Pierre Jodlowski
- elec Irrawaddy Blues musique concrete, for Documenta14 (2017), 47 mn 30 s / Alvin Curran
- elec irregular electronic music (1996), 30 mn about , Inédit / Richard Barrett
- elec stage Ishtar et Tammuz, duo d’amour music for ballet (1986), 30 mn / Michèle Bokanowski