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bass tuba, 3 percussionists, 2 electronic/MIDI keyboards/synthesizers, trumpet, piccolo trumpet, percussionist, 2 horns, 2 trumpets, piccolo trumpet, 2 trombones
Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.
73.87 Ko
commentaire
keyboard B (event triggers) score
1009.07 Ko
commentaire
keyboard A (sampler) score
2.36 Mo
commentaire
Loudspeaker and audio setup plan
56.62 Ko
commentaire
historic "cahier d'exploitation" for reference
653.4 Ko
commentaire
percussion sets pictures
1.11 Mo
24.45 Mo
1.14 Go
Midi setup
load the akai sampler using the ak.sys software, optionnally you can use the virtual sampler (see below)
set the Max Preferences file path to the /snd/ and /lib/ folders
Initialization routine and Patch presentation
Open Sirene-concert-max6-untested-018.maxpat main patch and follow the instructions on the main patch :
The Akai sampler can be replaced by a software solution.
Start sirenes-gespenter-samplor-mono.v1.maxpat with max6.1.
NB : Max File preferences should point to :
This max patch uses the samplor~ object to emulate the hardware sampler.
Soundbanks :
0, 1 "PIANO HC2 -L.wav" 60. 21 38 1 127 0 0 0. 24.;
1, 1 "PIANO HD#2-L.wav" 60. 39 42 1 127 0 0 0. 21.;
2, 1 "PIANO HA2 -L.wav" 60. 43 50 1 127 0 0 0. 15.;
3, 1 "PIANO HD#3-L.wav" 60. 47 54 1 127 0 0 0. 9.;
4, 1 "PIANO HA3 -L.wav" 60. 55 59 1 127 0 0 0. 3.;
5, 1 "PIANO HF#4-L.wav" 60. 60 67 1 127 0 0 0. -6.;
6, 1 "PIANO HC5 -L.wav" 60. 68 120 1 127 0 0 0. -12.;
7, 1 "PIANO HF#5-L.wav" 60. 74 120 1 127 0 0 0. -18.;
8, 1 "PIANO HA5 -L.wav" 60. 80 120 1 127 0 0 0. -21.;
9, 2 "PIANO HC2 -L.wav" 60. 21 38 1 127 0 0 0. 24.;
10, 2 "PIANO HD#2-L.wav" 60. 39 43 1 127 0 0 0. 21.;
11, 2 "PIANO HA2 -L.wav" 60. 44 46 1 127 0 0 0. 15.;
12, 2 "PIANO HD#3-L.wav" 60. 47 54 1 127 0 0 0. 9.;
13, 2 "PIANO HA3 -L.wav" 60. 55 59 1 127 0 0 0. 3.;
14, 2 "PIANO HF#4-L.wav" 60. 60 67 1 127 0 0 0. -6.;
15, 2 "PIANO HC5 -L.wav" 60. 68 120 1 127 0 0 0. -12.;
16, 2 "PIANO HF#5-L.wav" 60. 74 120 1 127 0 0 0. -18.;
17, 2 "PIANO HA5 -L.wav" 60. 80 120 1 127 0 0 0. -21.;
18, 2 "PIANO A#0-L.wav" 60. 21 28 1 127 0 0 0. 36. -11.2;
19, 2 "PIANO G1 -L.wav" 60. 29 34 1 127 0 0 0. 29. -11.2;
20, 2 "PIANO D2 -L.wav" 60. 35 40 1 127 0 0 0. 22. -11.2;
21, 2 "PIANO G#2-L.wav" 60. 41 47 1 127 0 0 0. 16. -11.2;
22, 2 "PIANO D#3-L.wav" 60. 48 54 1 127 0 0 0. 9. -11.2;
23, 2 "PIANO A#3 -L.wav" 60. 55 62 1 127 0 0 0. 2. -11.2;
24, 2 "PIANO F4 -L.wav" 60. 63 70 1 127 0 0 0. -5. -11.2;
25, 2 "PIANO B4 -L.wav" 60. 71 82 1 127 0 0 0. -11. -11.2;
26, 2 "PIANO G5 -L.wav" 60. 83 120 1 127 0 0 0. -19. -11.2;
27, 3 VENTICELLOVV.wav 60. 21 120 1 127 0 0 0. -4.;
28, 3 "CORO 6 LOOP.wav" 60. 21 120 1 127 0 0 0. -9.;
29, 3 RESPANIVIESO.wav 60. 21 57 1 127 0 0 0. 12.;
30, 3 "CLYMIB4 -L.wav" 60. 21 63 1 127 0 0 0. -15.;
31, 3 "CLYFAD4 -L.wav" 60. 64 65 1 127 0 0 0. -18.;
32, 3 "CLYLA4 -L.wav" 60. 66 120 1 127 0 0 0. -21.;
33, 3 "CLCMIB3 -L.wav" 60. 21 65 1 127 0 0 0. -3.;
34, 3 "CLCFAD3 -L.wav" 60. 66 68 1 127 0 0 0. -6.;
35, 3 "CLCLA3 -L.wav" 60. 69 71 1 127 0 0 0. -9.;
36, 3 "CLCDO4 -L.wav" 60. 72 74 1 127 0 0 0. -12.;
37, 3 "CLCMIB4 -L.wav" 60. 73 75 1 127 0 0 0. -15.;
38, 3 "CLCFAD4 -L.wav" 60. 76 120 1 127 0 0 0. -18.;
39, 5 VENTICELLOVV.wav 60. 21 120 1 127 0 0 0. -4.;
40, 5 "CORO 6 LOOP.wav" 60. 21 120 1 127 0 0 0. -9.;
41, 5 RESPANIVIESO.wav 60. 21 57 1 127 0 0 0. 12.;
42, 5 "CLYMIB4 -L.wav" 60. 21 63 1 127 0 0 0. -15.;
43, 5 "CLYFAD4 -L.wav" 60. 64 65 1 127 0 0 0. -18.;
44, 5 "CLYLA4 -L.wav" 60. 66 120 1 127 0 0 0. -21.;
45, 5 "CLCMIB3 -L.wav" 60. 21 65 1 127 0 0 0. -3.;
46, 5 "CLCFAD3 -L.wav" 60. 66 68 1 127 0 0 0. -6.;
47, 5 "CLCLA3 -L.wav" 60. 69 71 1 127 0 0 0. -9.;
48, 5 "CLCDO4 -L.wav" 60. 72 74 1 127 0 0 0. -12.;
49, 5 "CLCMIB4 -L.wav" 60. 73 75 1 127 0 0 0. -15.;
50, 5 "CLCFAD4 -L.wav" 60. 76 120 1 127 0 0 0. -18.;
Updated at
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75004 Paris
+33 1 44 78 48 43
Du lundi au vendredi de 9h30 à 19h
Fermé le samedi et le dimanche
Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
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