From the same archive
Invited talk 2: Nicholas Cook, Researching creative performance: a report from CMPCP - Nicholas Cook
October 10, 2015 55 min
The Application of Foundational Principles of Critique. Génétique to the Analysis of Music Sketches: Problems and Solutions - Michael Dias
October 10, 2015 32 min
Analysing improvisation: A composer-improviser role in the Gruppo di Improvvisazione Nuova Consonanza and New Phonic Art Experience - Ingrid Pustijanac
October 10, 2015 33 min
From process to performance: Compositional process as framework for text-based improvisation in Henry Brant’s ‘Instant Music’ - Joel Hunt
October 10, 2015 27 min
From fragments to final works: Shostakovich and the creative process - Laura Kennedy
October 10, 2015 29 min
Looking at, and listening to, musical features: creativity in score preparation - Vanessa Hawes, Kate Gee
October 10, 2015 30 min
Between sports and ideology: Janáček’s Sinfonietta and Petrželka’s Štafeta - Miloš Zapletal
October 10, 2015 26 min
The speculative ear tracks musical creativity: Adorno’s response to the dilemmas of hearing the new - Shierry Nicholsen
October 10, 2015 28 min
How are creation networks configured in contemporary Brazilian opera? - Talita Takeda
October 10, 2015 26 min
Agata Zubel’s Not I at the festival Warsaw Autumn (2014): Tracing collaborative dimensions of the creative process within the festival context - Monika Zyla
October 10, 2015 30 min
Codification of the Concord Sonata: Editorial and performative composition - Robin Preiss
October 10, 2015 30 min
The Interplay of Various Forms of Artistic Knowing - Tasos Zembylas
October 10, 2015 23 min
Comparative Sketch Studies and the "Hidden Concepts" of the creative process in music - Fabian Czolbe
October 10, 2015 26 min
Musical Grammar and the Creative Process - Lodewijk Muns
October 10, 2015 36 min
Learning From Our Mistakes in Tonal Jazz Improvisation - Stefan Caris Love
October 10, 2015 26 min
The Art of the Trio: Improvisation, Interaction, and Intermusicality in the Jazz Piano Trio - Michael Mackey
October 10, 2015 24 min
Material, Interaction, Attitude and Music within Improvising Processes: A Sociological Model - Silvana Karina Figueroa-Dreher
October 10, 2015 29 min
‘Situation’ and ‘Problem Situation’ in the interaction of music and philosophy in antagonisme by Xavier Darasse on a text by Alain Badiou - Matthew Lorenzon
October 10, 2015 26 min
Marc-André Dalbavie, du produit au processus. Un regard sur la genèse d’« acoustiques virtuelles » à partir de partitions et d’écrits du compositeur - Ernesto Donoso
October 10, 2015 32 min
Researching creative performance: a report from CMPCP - Nicholas Cook
October 10, 2015 55 min
Finding common ground in divergent compositional aesthetics: Elliott Carter’s and Luigi Nono’s analyses of Arnold Schoenberg’s op. 31 - Laura Emmery
October 10, 2015 27 min
Comment Henri Dutilleux a incorporé le sérialisme à son langage harmonique - Analyse de Métaboles et Tout un monde lointain - Shigeru Fujita
October 10, 2015 26 min
Roundtable 2: Pierre-Michel Menger, The Economics of Creativity (Harvard University Press, 2014)
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In his book The Economics of Creativity: Art and Achievement under Uncertainty (2014), the distinguished sociologist Pierre-Michel Menger offers an analysis of artistic creativity that seeks a middle path between two equally unsatisfactory propositions: on the one hand, the traditional aesthetic approach that sees artistic success as solely a function of inherent genius; and on the other, the more recent sociological approach that attributes it solely to politics, powerful patrons, or luck. In this round table, the author discusses his work with two other distinguished sociologists of music: Georgina Born, the author among other books of Rationalizing Culture: IRCAM, Boulez and the Institutionalization of the Musical Avant-Garde, and Howard Becker, perhaps most famous for his book Art Worlds. The round table will be chaired by Nicholas Cook (University of Cambridge).
speakers
information
- event
- TCPM 2015 : Analyser les processus de création musicale / Tracking the Creative Process in Music
- Type
- Séminaire / Conférence
- duration
- 01 h 13 min
- date
- October 10, 2015
- program note
- TCPM 2015