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The manner in which composers overcome the agony of the blank slate in notation-based music composition is conditioned by many factors. The size of the staff on the page, the number of line breaks, and the means of note entry (handwritten, dictated, point-and-click, markup) are just a few visual elements that effect the choices that a composer will make when writing visual marks that will be translated into sound. This paper presents a method of scaffolding sketches by algorithmically projecting bits of music onto an otherwise empty staff, thereby imposing compositional constraints both on the sound result and on the written medium whose interpretation leads to this result. The presentation will survey five pieces from the projet Sit Ozfårs Wysr, showing how algorithmic scaffolding acted as a disruptive element in the composition process. The ensemble 101 will present live extracts of these works.
The study of the Dunhuang pipa scores, a set of manuscripts from Xth century, written with a system of tablature for the pipa lute, has been facilitated by the development of a dedicated software program. It performs their trans-notation on
29 mai 2015 41 min
This paper explores the idea of live coding programming environments as notational systems. The improvisational practice of live coding as combining both composition and performance is introduced and selected systems are discussed. The auth
29 mai 2015 41 min
Visualization of musical structures is a powerful tool to assist composers and improvisers in their creative processes. Interpreting the Tonnetz as a simplicial complex it is possible to visualize notes and chords as subcomplexes endowed wi
29 mai 2015 37 min
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