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flute, bass flute, oboe, English horn, bass clarinet, clarinet, bassoon, harmonica, horn, harmonica, trumpet, trombone, harmonica, percussionist, piano, electronic/MIDI keyboard/synthesizer, electronic/MIDI keyboard/synthesizer, violin, second violin, viola, cello, five-strings double bass
Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.
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max project updated in 2022
1.75 Go
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package to install in Max 8
27.12 Mo
440.39 Mo
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For rehearsal only
47.18 Mo
Change the midi channel of the small midikeyboard (played by the second keyboard player) to channel 4
Check the sustain, volume pedals program changes and the pitchbend wheel of each keyboard
1. Front Left Speaker
2. Front Right Speaker
3. Rear Left Speaker
4. Rear Right Speaker
5. Clic-Track to conductor ear monitor
6. Sampler Left
7. Sampler Right
Install the latest version of the samplor package (included)
Create a folder named exactly "Entrance2019"
Copy the content of the disk into it
Open the Entrance2019 max project in max8
Set the Sampling Rate to 48 kHz, Overdrive ON, IO and Signal Vector Size = 64.
During the recording the tape part were played using the EntranceTape.v4.als Ableton Live session.
The 11 tape sections were triggered from the Session mode window :
As an alternative the soundfiles and clicktrack can be triggered from any bar in the score using the Arrangement view.
The electronic parts (figured on the two lowest staves of the score) can also be triggered from a small keyboard, played by the keyboard player 2. These include the conductor click-track on a fifth audio track.
You can test the patch using the kslider object on the main patch. to play the sound sequences : you should hear the quadraphonic soundfiles with the clicktrack
The C of the keyboard can be used to stop the sound during rehearsals
The following MIDI program changes relate to the sounds described p.iv of the score:
1. strings
2. strings+ (same as 1 + 1/4 tone)
3. metal
4. metalChord
5. piano
6. SY (not used - could optionally be used in future versions to replace the SY 99)
7. SY-bis (same as pgm6 +1/4 tone)
The pitch bend wheel must be +/- 8 semi-tones (the score falsely mentions +/-6, p. iv). The pitch-bend is used only with sounds strings and strings+
The sounds consist of filtered string-like sounds
Only two programs are used : A1 "STrgs" and A2 "STrgs+1/4"
A2 is the same sound as A1, with a pitch shift of + 1/4 tone
The pitch bend range must be of +/- 2 semi-tones
In case another synthesizer or sampler should be used, one must program a soft string-like sound, not too realistic. The range used is from C1 (MIDI pitch 36) to F6 (MIDI pitch 101). Glissandis with the pitch-bend wheel are used.
Check the level of the quadriphonic "tape" part. It should be balanced (or even above) with the ensemble amplification level.
Please read this online musical analysis
You can also refer to the 1998 Original Documentation
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