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violin
Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.
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Multitrack recording of the DAC, for reference or future portings
974.02 Mo
534.33 Ko
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Radio-France recording of the premiere
228.27 Mo
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Loudspeaker setup used for the premiere in Briançon's church
63.45 Ko
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Contains all the max patches and applications to perform the piece
1.43 Go
For performance reasons, 5 different patches are running simultaneously on the same computer to play the electronic part of Partita 2 :
The P2_synful_00b, P2_spat_01b and P2_string_02b patches should be used in their application form.
Optionnally, you can start all the required application and patch by executing the run_p2b.sh script in the terminal.
Warning: don't launch P2_spat_01b and another application at the same time
files preferences:
MaxMsp file preferences should point to :
This diagram shows the audio routing between the applications:
The patches (or applications) communicate via Open Sound Control commands through network (UDP) messages and with audio via optic fiber link on the audio card.
The IO mappings for each application are shown below:
Max:
String:
Synful:
Spat:
Before using the patch, quit every application to save "DSP status", so "DSP status" will be "on" everytime you open the applications.
You can stop the follower by unchecking "suivi" and follow evenements manually with the space bar.
Faders of the midi mixer (BCF2000) are programmed to control some parameters during the concert:
fader | initial value | ctl | chan |
Master | 127 | 7 | 1 |
Direct | 100 | 7 | 2 |
string1 | 64 | 7 | 3 |
string2 | 64 | 7 | 4 |
3fc | 64 | 7 | 5 |
sampler | 64 | 7 | 6 |
synful | 64 | 7 | 7 |
fx (effects level) |
64 | 7 | 8 |
Performance notes
For the sound engineer: The violin must be amplified throughout the whole piece except between event I.5 and event I.18 with a crescendo between I.18 and I.19.
For the Computer Music Designer: Score following (with antescofo) is automatic in most of this work except :
- at the events II.12, II.22bis, II.39,
- from II.46 to II.48 included,
- II.58, II.59,
- and from II.65 to the end of the second movement
For these events, you should follow manually the intrumentalist (using the space bar).
- In the perpetuum mobile movement (movement4), click on play precisely when the violinist plays the fist note, the instrumentalist follows the electronic sequence.
- The follower is on at the beginning of the last movement (until the end of the piece)
- slow fade-out (approximately 15 ") at the end of the piece.
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