flûte, clarinette, marimba, vibraphone, piano, violon, violoncelle
États-Unis, Los Angeles, Modern Art Museum.
The idea behind Zilver was to write a chorale variation as Bach  did for organ: a long, slow-moving melody, combined with the same  melody played faster. The ensemble is divided into two groups: the wind  and strings play the sustained melody in chorale-like four-part harmony,  and the rest of the instruments – vibraphone, marimba and piano – play  increasingly fast staccato chords. The two groups play in canons. 
Zilver is one of a planned series of chamber pieces named after a type of physical matter. Hout (‘wood’) is the first, and Zilver (‘silver’) is the second. The title also refers to the two silver  instruments – flute and vibraphone – which start and end the piece.
Cette fiche œuvre a valeur encyclopédique, elle ne reflète pas les collections de la médiathèque de l'Ircam. Veuillez vous référer aux fiches "partitions".
Vous constatez une erreur ?
 1, place Igor-Stravinsky 
 75004 Paris 
 +33 1 44 78 48 43 
Du lundi au vendredi de 9h30 à 19h 
 Fermé le samedi et le dimanche
Hôtel de Ville, Rambuteau, Châtelet, Les Halles
Institut de Recherche et de Coordination Acoustique/Musique
Copyright © 2022 Ircam. All rights reserved.